What is it like to be young and grow up on a reserve? Focussing on music lessons, the film reveals the complex relationships that Indigenous youth can have with their “white” teachers. How can two cultures come together? A question the film asks, while inviting us into the private worlds of three Atikamekw teenagers, Myrann, Wapan and Seskin, who are trying to build their future and find a place in this world.

For over 100 years, Hollywood cinema has crafted the ultimate "villain"- the Indian, as they were labeled in early Westerns. Confined almost exclusively to this genre, the Western became a vehicle for American racism, obscuring the genocide upon which the United States was built. In this documentary, only Native Americans are given a voice to share their story, one that has been overshadowed by Hollywood's portrayal. Their narrative, part of the larger American story, highlights how cinema has long been used as a powerful propaganda tool, distorting history and perpetuating harmful stereotypes.

Scenes of daily life in the Indian communities of Ecuador.

A look into the 19th century American-Indian Wars, Manifest Destiny, and the conflicts between Apache tribes and the African-American Buffalo soldier regiments.

African American soldiers throughout the 19th and 20th Centuries faced discrimination and segregation, yet many still chose to fight for their country.

An intimate and thrilling portrait of a young Siksika woman and the deep bonds between her father and family in the golden plains of Blackfoot Territory as she prepares for one of the most dangerous horse races in the world… bareback.

The story of a poor girl who leaves her starving family and sheep for a more prosperous village. Her grandfather finds her and tries to convince her to return to her home.

In the Sacramento Mountains of Southern New Mexico In the shadow of Sierra Blanca Peak Live the proud people of the Mescalero Apache With a history of peace, and unimaginable struggle The Mescalero live to honor their ancestors While fighting to survive in a modern world This is their story, in their words, from their Homeland Nation.

This colorful archival record of Québec City's Winter Carnival shows that many popular events of today—pageants, parades, boat races, folk dancing, fireworks, and torchlight skiing—were also favorites many years ago.

We begin at the train station near Montana's Glacier National Park, where Blackfeet Indians meet the arriving tourists. Glacier Park, an off-screen narrator tells us, has the remnants of 60 glaciers, from three ice ages. We visit the lodge, built in Swiss style, where college students dressed in Swiss garb do the serving at the restaurant. We watch Indian dancing and a ceremony. After views of lakes, mountains, and trails in the park, it's north to Canada's Waterton Lakes, a vacation spot for Canadian and U.S. families.

Navajo Film Themselves is a series of seven short documentaries: Intrepid Shadows (1966), The Navajo Silversmith (1966), A Navajo Weaver (1966), Old Antelope Lake (1966), Second Weaver (1966), The Shallow Well Project (1966), and The Spirit of the Navajos (1966).

Xapiri is a Yanomami term that characterizes the shamans, male spirits (xapiri thëpë) and also auxiliary spirits (xapiri pë). Xapiri is an experimental film about Yanomami shamanism that was filmed during a meeting of 37 shamans at the Watoriki Reserve, Roraima, in March of 2011. The film was designed to take into account two different notions of image: those of the Yanomami and ours. Therefore, it does not set out to explain shamanism, its methods or procedures, but to allow different cultures to visualize and feel the way in which the shamans “embody” the spirits, their bodies and voices.