Mu Myeong is a Joseon dynasty headhunter who meets and falls in love with lady Ja Yeong who will become the future Empress Myseongseong. A few years later, Ja Yeong enters the royal palace to marry King Gojong. Mu Myeong still having feelings for Ja Yeong and in an attempt to get closer to her becomes her personal body guard.

Born to a family of established court painters, seven-year-old Yoon-jeong is a young girl gifted at painting. However, the pressure is on her brother to carry on the proud family tradition, as women aren’t allowed to become professional painters. While her brother trains to take his place in the court, Yoon-jeong helps him out by secretly painting for him. The little girl’s life is turned upside down when her brother kills himself. In order to preserve the family honor, she is forced to take her brother’s name and lives as a man. Yun-bok’s genius and talent captures the heart of another great master of the time, Kim Hong-do. But her daring depictions of women are condemned by the royal institute as obscene. Yun-bok meets Kang-mu and falls deeply in love. For the first time, she feels the strong desire to abandon everything she has built and simply be a woman in front of the man she loves. Kang-moo sacrifices all for his love as well.

Ancient Korea, 1728. Swordsman Kim Ho, guard of King Yeong-jo of Joseon, is demoted and sent to work in Uigeumbu prison. When night falls, the prison is assaulted by the master warrior Do Man-cheol and his powerful henchmen for the purpose of freeing Lee In-jwa, who has been condemned to death for rising up in revolt against the king.

Upon receiving the body of a maid in waiting who was said to have hung herself within the palace walls, dedicated doctor Chun-ryung begins to suspect foul play. Upon launching a personal investigation, however, Chun-ryung quickly discovers a labyrinthine maze of deception constructed by those with limitless power to conceal a valuable secret.

Two clowns living in Korea's Chosun Dynasty get arrested for staging a play that satirizes the king. They are dragged to the palace and threatened with execution but are given a chance to save their lives if they can make the king laugh.

The film chases a historical event when King Jungjo tried to replace hispersonal revenge on those who killed his father Sado, the Crown Prince, with agreat cause to build up a nation for its people, which eventually leads to remind the lessons of history that repeat permanently like a Mobius strip. The film seems to aim to introduce the uniqueness of Uigwe with a historical yet futuristic value as a World Heritage on the surface, but in fact, it pursues torestore audio-visually the immaterial thing that remains only as a record under the name of feast. Inside the device receiving images, there might have been desires to reproduce the world or to secularize the invisible from the beginning. Hungry TV will awaken the potential to visualize all the intangible via digitaltechnology. So to speak, there is digital technology, and it is followed by aquestion: How far the digital technology of 21st century would lead this deviceto?

Once at a pagoda Mongryong Lee, a scion of a well-to-do family, meets Chunhyang, the young daughter of a courtesan and an aristocrat. Despite her low social standing she is smart and well-educated. The young people fall in love and think about marriage so that they could always be together. Mongryong is soon to go to the capital to take the state civil service exam. They part and in Chunhyang's life there appears the greedy and lustful Byun Hak-do, who tries to seduce her.

Although born a daughter of an aristocratic family, Jin-yi discovers the secret behind her birth and enters into a life in a brothel as a gisaeng.

The Imjin War reaches its seventh year in December of 1598. Admiral Yi Sun-shin learns that the Wa invaders in Joseon are preparing for a swift withdrawal following the deathbed orders of their leader Toyotomi Hideyoshi. Determined to destroy the enemy once and for all, Admiral Yi leads an allied fleet of Joseon and Ming ships to mount a blockade and annihilate the Wa army. However, once Ming commander Chen Lin is bribed into lifting the blockade, Wa lord Shimazu Yoshihiro and his Satsuma army sail to the Wa army's rescue at Noryang Strait.

A servant falls in love with a girl whom his master also desires. Although the girl loves the servant, she also longs to improve her station in life.

There was Goo Ma-jeok before there was Kim Doo-han. Goo Ma-jeok had the strongest power in all of Joseon. He was the boss of Umigwan and a legendary man from the streets of Jongno. A new 'Age of Wild Men' begins.

In late 1700s Korea, Lady Cho challenges the playboy Lord Jo-won into seducing and sleeping with her husband's coming young, virgin concubine. Lady Cho agrees to sleep with him if he succeeds.