
Rouge Amargo
Crime · Thriller
Top Cast


Luciano Cáceres
Luciano Cáceres
Julián
Luciano Cáceres
Julián


Mariela Vitale
Mariela Vitale
Cyntia
Mariela Vitale
Cyntia


César Vianco
César Vianco
Báez
César Vianco
Báez


Gustavo Moro
Gustavo Moro
Rita
Gustavo Moro
Rita


Nicolás Pauls
Nicolás Pauls
Luis Harili
Nicolás Pauls
Luis Harili


Rubén Stella
Rubén Stella
Marchetti
Rubén Stella
Marchetti
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Buenos Aires, 1994. Memé Tizou is a famous vedette whose name shines brightly on the marquee of Corrientes Avenue, at least until the show’s producer, Armando, announces the decision to hire a younger woman. This decision leaves Memé confronted with a challenging question: what is she capable of doing to prove her place belongs on stage?

Mercedes’ fantasy turns into a nightmare. Juan’s greatest fear takes the shape of a strange man entering his house. The city has fallen into chaos and anarchy, so it's going to be difficult to get some ice for the drinks; but tonight, Mercedes is an object of desire to men, so nothing else matters.

Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.

A hostage situation gone bad. Jesús, an amateur thief, holds prisoner a group of clients. But nothing is what it seems. Behind the gates of the drugstore the story will unfold in two times. On one side, to the inevitable end: the police will shoot their way inn. And on the other side, to the past, unveiling how Jesús got caught in this situation, where the hostages are not the real victims, but something more sinister. Retracing step by step, reveling the truth, playing with the prejudices and beliefs of the audience on racial hate, social prejudices, and the intolerance. How far are we willing to go to survive?

In the 1920s Horacio Coppola studied modern languages, photography and film, set up the first cinema club in Buenos Aires, and travelled to Italy, France, Spain and Germany, where he trained with the Bauhaus photographer Walter Peterhans. After visiting Vienna, Budapest and Prague, still hotbeds of secessionist art, Coppola returned to Berlin and made the experimental film Traum (Dream, 1933) with the theatre director Walter Auerbach, a nice short influenced by the French & German surrealists.















