A man desperately searches for his girlfriend on the Costa del Sol.

After her boyfriend commits suicide, a young woman attempts to use the unpublished manuscript of a novel and a sum of money he left behind to reinvent her life.

Ten years after ratting on his old mobster friends in exchange for personal immunity, two hit men drive a hardened criminal to Paris for his execution. However, while on the way, whatever can go wrong, does go wrong.

Greek painter Domenikos Theotokopoulos (Mel Ferrer) woos a beauty (Rosanna Schiaffino) and faces the Inquisition in 16th-century Spain.

The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.

The film is a historical drama set during the reign of Elizabeth I (Flora Robson), focusing on the English defeat of the Spanish Armada, whence the title. In 1588, relations between Spain and England are at the breaking point. With the support of Queen Elizabeth I, British sea raiders such as Sir Francis Drake regularly capture Spanish merchantmen bringing gold from the New World.

Ana has just arrived from Colombia and is the maid of a luxurious mansion on the Costa Brava, where a family of wealthy art dealers spends their summers. The young woman works tirelessly and without a contract, under the promise of decent conditions at the end of the summer, if she remains obedient and discreet.

A group of friends, all about in their thirties, gather at Julio's home, one of them, to help him paint the walls. During the hours they are together, their problems, their envy, their failures, their quarrels come to light. Around them, Marta will find how they really are.

An urbanite moves to the countryside just before the outbreak of COVID-19. His unusual lockdown leads to irreparable damage.

Despite her fame and fortune, Mina, a successful Indian actress in Mumbai, can't forget her little sister Sita, from whom she was forced to separate after their mother's death in a village. Thirty years later she will finally find out that Sita is alive and well in Barcelona. However, Sita's adoptive parents have erased all traces of her past. She is now called Paula, works as a researcher in Biology and has no recollection of her Indian background, let alone of Mina. Faced with the shocking truths of her past, Paula begins a long journey of self-discovery, aided along the way by her budding romance with the handsome Indian immigrant Prakash. A story of hope and love across Mumbai and Barcelona; from India to the Mediterranean and all the way back.

Isabel and Clara are growing up in a time of terror. It is 1492, and Spain has decreed that all Jews must either convert to Catholicism, go into exile or face trial and execution. Although forcibly baptized, the sisters are chased through Christendom until they arrive in Venice. It is in this great maritime empire, where opulence rhymes with tolerance, that Isabel organizes secret passages for refugees fleeing the Inquisition while Clara falls in love with a Venetian noble, Paolo Zane. Isabel intends for her family to go to Istanbul, the only place where Jews can live freely, but Clara is reluctant to leave. She challenges Isabel's authority and is prepared to break her family ties and sacrifice her faith for love. Caught in this battle of wills is Clara's daughter, Victoria, who finds she is about to be married into the same faith that murdered her father.

In their spare time, after their studies or their work, children and adolescents between the ages of eight and sixteen meet at the School of Bullfighting in Madrid to learn the Art of Cúchares: Torear. In their stomachs there is no hunger as in the past, their dreams do not lie in having a farmhouse and being famous. Their only dreams are to be in front of a bull, animal with which death goes, fact of which they are fully aware, as their teachers continually remind them. These, retired bullfighters, some by age, others by force and all with their bodies full of scars produced by the horns of a bull. The nude bullfighting scene is fascinating without being exploitive, and it serves as an analogy for the vulnerability these young bullfighters have when in the ring with the bulls.