Rod and Cherri are the unmistakable king and queen of Echo High. When new kid Spud arrives, he makes a faux pas so bad that Rod forces him to be his girl's slave. What unfolds is the tale of Cherri and Spud's blossoming relationship behind Rod's back, and their untimely demise on the night of the prom. A tale of tragedy that could only be as irreverent and sensational through the pen (or pencils, if you will) of Bill Plympton.

"'Boxcar' Simmons, a tramp, represents himself as a mining millionaire in a small town. The population accepts him at his own valuation, and two of the town's 'slickers' make desperate efforts to 'take him for his roll.' One of their schemes is to sell him a worthless ranch, but he turns the tables on them by making them believe that the ranch is a veritable bed of silver ore, and then, after they buy it, he presents the major part of the proceeds to the girl who owns the place and with whom he had fallen in love." (Moving Picture World, 24 Jun 1922, p. 736.)

Brothers Keiji and Ryoichi move to a new neighborhood in the Tokyo suburbs after their father, an office clerk, is promoted. The boys join the local gang as lowly new kids and emerge as natural leaders after defeating a bully. While visiting the home of their father's boss, the brothers witness the ridicule their father endures to please his superior. Angry and embarrassed, the boys find their naive ideas about power being challenged.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Led by Woody, Andy's toys live happily in his room until Andy's birthday brings Buzz Lightyear onto the scene. Afraid of losing his place in Andy's heart, Woody plots against Buzz. But when circumstances separate Buzz and Woody from their owner, the duo eventually learns to put aside their differences.

A prospective bride and groom have misadventures in Mexico City.

Set in the Faubourg à mélasse district of Montreal, Quebec, in the 1950s, the film centres on a conflict between the Roman Catholic Church and a young team of baseball players.

A cashier poses as a writer for blacklisted talents to submit their work through, but the injustice around him pushes him to take a stand.

When a ruthless robber baron takes away everything they cherish, a rough-and-tumble, idealistic peasant and a sophisticated heiress embark on a quest for justice, vengeance…and a few good heists.

Lucas, a wealthy, 43 year-old divorced businessman, is irresistibly attracted to Elsa, a 38 year old renowned sculptor from whom he has commissioned a piece to decorate the reception at his office.

Set in 1959, Diner shows how five young men resist their adulthood and seek refuge in their beloved Diner. The mundane, childish, and titillating details of their lives are shared. But the golden moments pass, and the men shoulder their responsibilities, leaving the Diner behind.

Mafia hitman Tommy Spinelli is flying to San Diego with a bag that holds eight severed heads, which he's bringing to his superiors to prove that some troublesome rival mobsters are permanently out of the picture. When his bag gets accidentally switched at the airport, Tommy must track down his duffel bag and the 8 heads it contains.