
Dom Juan
Drama · TV Movie
Overview
This telefilm in black and white is diffused on the first French chain the November 6th 1965. It undoubtedly remains the most known adaptation of the Dom Juan of Molière.
Top Cast


Michel Piccoli
Michel Piccoli
Dom Juan
Michel Piccoli
Dom Juan


Claude Brasseur
Claude Brasseur
Sganarelle
Claude Brasseur
Sganarelle


Anouk Ferjac
Anouk Ferjac
Elvire
Anouk Ferjac
Elvire


Michel Le Royer
Michel Le Royer
Dom Carlos
Michel Le Royer
Dom Carlos


Jean Obé
Jean Obé
La Ramée
Jean Obé
La Ramée


Dominique Rozan
Dominique Rozan
Gusman
Dominique Rozan
Gusman


Angelo Bardi
Angelo Bardi
Pierrot
Angelo Bardi
Pierrot


Lucien Nat
Lucien Nat
Dom Luis
Lucien Nat
Dom Luis


Yves Arcanel
Yves Arcanel
Dom Alonso
Yves Arcanel
Dom Alonso


Josée Steiner
Josée Steiner
Charlotte
Josée Steiner
Charlotte
Similar Movies

Befriended by aristocrat Sebastian Flyte, Oxford student Charles Ryder finds that the power and privilege experienced by the family is seductive. On a visit to the ancestral home, Brideshead, he falls in love with his friend's sister, Julia. However, as his ties to the Flytes deepen, Ryder finds himself at odds with their strong Roman Catholicism.

Frederic leads a bourgeois life; he is a partner in a small Paris office and is happily married to Helene, a teacher expecting her second child. In the afternoons, Frederic daydreams about other women, but has no intention of taking any action. One day, Chloe, who had been a mistress of an old friend, begins dropping by his office. They meet as friends, irregularly in the afternoons, till eventually Chloe decides to seduce Frederic, causing him a moral dilemma.

Although based on a novel by Georges Simenon, director (and songwriter) Serge Gainsbourg has superimposed several dark emotions and a subtle brutality over the weak plot about a man's trip to Africa and his unfortunate passion for a murderess whose amorality sends the disillusioned fellow back to Europe. Sometimes described as frustrating and self-centered, reactions to this film swing across a broad spectrum of complaints -- not the least might be whether or not Gainsbourg is using a clichéd and stereotypical view of "dark Africa" to convey what he sees in his characters.

Sayaka, a high school student, kills herself but the reason behind her suicide is unknown. She appeared to have led a normal life with her family. Her mother Rumiko seemed to have raised Sayaka with love and care. In reality, that does not seem to be the case. When the mother and daughter recall the same incidents that took place in the past, they tell very different stories.

Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?
















