After the death of his mother, a man tries to discover a meaning to his life, to the universe and to rebuild a relationship with the only family he has left: his gay brother.

Flo und sein Kumpel Hotte arbeiten in der mies gehenden Neuköllner Videothek Video König. Kein Wunder, denn Hotte glänzt mit null Filmwissen, und Flo muss mit damit fertig werden, von seiner Freundin verlassen worden zu sein. Die beiden Unglücksvögel lassen sich vom Kiez-Gauner Bernhardt abzocken, von Schlägern die Fresse polieren und Inkasso-Unternehmen drangsalieren. Ein Glück, dass für Flo wenigstens wieder die Liebe in Form von Nachbarin Ramona lacht, auch wenn diese möglicherweise eine Prostituierte ist.

Movie fan Mike has invented a machine with which he is able to take part in every movie which is currently running on his video tape recorder. But he and his friend Tommy are watched while trying out this new device and soon two electronic companies are on their trail to discover the secret of this invention.

In post-9/11 New York City, an eclectic group of citizens find their lives entangled, personally, romantically, and sexually, at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality.

Editor Eckernförde has come into the possession of an audiocassette that contains a recording of the last minutes of deceased politician Uwe Barschel. The circumstances of his untimely death have never been completely resolved - until now. Unfortunately, the editor's daughter Nina accidentally takes the tape with her to Munich, where she is about to visit her paralyzed Mom in a sanatorium. When this information reaches the CIA and the BND, both organizations compete to get hold of the tape. Meanwhile Erkan & Stefan, two loveable wannabe supercheckers from Munich, are assigned as bodyguards for Nina - of course, they are expected to mess up their job, so that the tape can be retrieved. But the two friends prove to be a bit more streetwise than CIA or BND ever expected.

A mysterious stranger presents a boy with a VCR that can "play" the past...and the future. How it affects the boy and his struggling middle-class family is the central story.

A boy growing up in Dublin during the 1980s escapes his strained family life by starting a band to impress the mysterious girl he likes.

Aiko and Hashimoto discovere a VHS videotape called "A Guide to Surviving Zombies From". This is a video with a set of instructions that will help them cope with the invasion of the undead living in Japan.

Artoo, Threepio and a broken down android are traded into the hands of young miner Jann Tosh. The android turns out to be an alien with amnesia and a price on his head. It is in fact Mon Julpa, prince of Tammuz-an, who has been put in this predicament by the power hungry vizier Zatec-Cha. Jann, the droids, and a female freight pilot named Jessica Meade help Julpa claim his throne, battle the Pirates of Tarnoonga and settle a dispute with Tammuz-an clan leader Lord Toda. Written by Il Tesoro

Mungo Baobab and his droids, Threepio and Artoo, are trailing the Rainbow comets of Manda in search of the fabled Roon system. Before they get there, they make an enemy out of the greedy Governor Koong. On Roon, they meet Auren Yomm and join her Umbo racing team in the Roon Games. Mungo takes up his old uncle Ogger's quest of finding the source of the valuable Roonstones. Meanwhile, Koong uses germ warfare against the rebellious province of Umboo and it becomes a race against time to find a cure for the Rooze infection. Written by Il Tesoro

On Laura's 27th birthday, her and six friends are trapped into a closet by a psycho killer. It turns out they're part of a twisted game, where fans watch the murders live over an internet webcast.

One of Takahiko Iimura's (and modern art's) earliest works in conceptual video, A Chair entirely consists of a steady (and usually ghosted) image of a chair to the accompaniment of the firecracker pops of television static. While formally minimal, A Chair is conceptually challenging in its simplicity and its demand that the audience zero in on, of all things, a simple chair. - Tom Fritsche