Vincent

Two Space systematically explores symmetries used by Islamic artists to create abstract temple decorations. The two dimensional patterns, like the tile patterns of Islamic temples, are generated by performing a set of symmetry operations (translations, rotations, and reflections) upon a basic figure or tile. Two Space consists of twelve such patterns produced using each of nine different animating figures (12 x 9 = 108 total). Rendered in stark black and white, the patterns produce optical illusions of figure-ground reversal and afterimages of color. Gamelan music from the classical tradition of Java adds to the mesmerizing effect.

Young Pud is orphaned and left in the care of his aged grandparents. The boy and his grandfather are inseparable. Gramps is concerned for Pud's future and wary of a scheming relative who seeks custody of the child. One day Mr. Brink, an agent of Death, arrives to take Gramps "to the land where the woodbine twineth." Through a bit of trickery, Gramps confines Mr. Brink, and thus Death, to the branches of a large apple tree, giving Gramps extra time to resolve issues about Pud's future.

Ghiblies (pronounced with a hard "g" as in "gallop") is a short film aired during a TV special about Ghibli. It's about a fictional animation studio named "Ghibli" and the people who work there. This rare Ghibli Comedy is a look into who the people making the films are. Plotlines run from office jokes to Nonaka's first love, bringing together a short feature of random events.

In an abandoned underworld, a drained swimming pool becomes the well of creation, where scarred ancient figures give birth to light and desire. At its centre is Phanes, the androgynous god of light and creation, reimagined as a wounded, intersex angel reborn from a flood of flames.

Felix the Cat is perched in a tree playing his guitar and serenading himself and a canary with a little ditty called "Nature and Me." It is a beautiful day in cartoon-land but Mother Nature, perhaps not a music lover, whips up a lightning-laden thunderstorm and Felix is soon seeking shelter. He finds it at the castle of King Cole, a boastful, fabricating blow-hard. The King's ancestors, tired of hearing the braggart, come out of their pictures as ghostly specters and take the King to the dungeon and pump the gassy hot-air out of him.

In the intimate world of a man and a woman, the bond that unites them is a tangible golden thread. Over time, the couple becomes entangled in a multitude of failed attempts to deal with personal problems.

Tom's advances on a young jive-talking girl cat get nowhere; nowhere, that is, until Tom gets a zoot suit. Armed with his miles of fabric and a new cool lingo, Tom still has to deal with the tricks of his nemesis, Jerry.

The Easter bunny brings an egg for Tom and Jerry that hatches into the little duckling. He keeps getting into water he shouldn't: the aquarium, water cooler, bathtub, sink, as the boys keep rescuing it. They try to give the duck back to the Easter bunny - no go. They leave it in the pond at the park and think they're home free, until the duckling brings his friends home.

Tom is shipwrecked on an island, which is inhabited by at least one mouse - Jerry. To thwart the hungry cat, Jerry disguises himself as a cannibal.

When Day, a sunny fellow, encounters Night, a stranger of distinctly darker moods, sparks fly! Day and Night are frightened and suspicious of each other at first, and quickly get off on the wrong foot. But as they discover each other's unique qualities--and come to realize that each of them offers a different window onto the same world-the friendship helps both to gain a new perspective.

Cowboy and Indian's only wish was to come up with a brilliant idea for Mr Horse's birthday, but when their plan ends up in utter disaster, they'll need to travel the world and back to make things right again.

Mother Earth practices on "The Creation" of the first human beings, in this mythical act some faults and disconnections are revealed when they launch into life in coexistence with themselves and with nature. An animation in Stop Motion made entirely with mud, a technique that challenges the animation process due to the quick drying of the mud that requires an animation instantly, generating unique and unrepeatable shots.