Scars of Jealousy is a 1923 American silent drama film directed by Lambert Hillyer and starring Lloyd Hughes and Frank Keenan. It was produced by Thomas H. Ince and distributed through Associated First National, later First National.

When Florette, a popular actress, and her friend Edith become rivals for the love of Walter Stanley, a leading man, Florette sacrifices her feelings for the other girl. Three years later, Phillip Rowland, a young aristocrat, falls in love with Florette. When Edith intrudes in her affairs, Florette--although she fears unhappiness will result because of their differing social positions--decides to marry Rowland regardless of the consequences. Rowland stands by his wife, although she is snubbed by his family, but when Edith conspires with Walter Stanley to place Florette in a compromising position, Judge Rowland accepts circumstantial evidence as truth and plans for a divorce. Florette, however, cleverly puts her brother-in-law on the defensive; making amends, he has her reinstated in the family's good graces. A lost film.

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Jacqueline Logan stars as Paula, a beautiful and fearless circus leopard trainer. Working hand-in-glove with the police, Paula joins a circus where several murders have occurred. Among the suspects is gorilla trainer Caesar (Alan Hale Sr.). (NY Times)

A young man living far from his beloved one wastes his existence absorbed in modern distractions until he loses contact with her.

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When jealousy and envy lead Mary Vantyne to make a foolish decision and commit an impulsive act she sets off a series of events that nearly bring heartbreak to all those in her circle.

Charles Stoddard is a poor artist living with his wife and two children in Greenwich Village. Destitute after his wife dies, he is forced to sell one of his children to a childless rich woman. He soon comes his senses however, and tries to back out of the deal.

A hapless loser (with the surname of Loser) undergoes misadventures with avaracious clergy, a tired horse, and a walking granary (among other things) on his road to collectivized happiness.

A man takes a job at an asylum with hopes of freeing his imprisoned wife.

They get ready to kiss, begin to kiss, and kiss in a way that brings down the house every time.

After being betrayed by her playboy lover, a heartbroken mute young woman joins a ballet company; during a performance of “The Dying Swan,” she enraptures a painter obsessed with portraying death genuinely.