Three tales of very different women using their sexuality as a means to getting what they want.

After one member of their group is murdered, the performers at a burlesque house must work together to find out who the killer is before they strike again.

When the son of an alleged killer inherits a "blue movie" that may be the key to solving a 50 year old murder, he finds himself drawn into a forbidden world of sexual obsession. But the closer he gets to the heart of the mystery, the more the past threatens to reach out into the present and reveal terrifying truths that lead him to the brink of madness.

An exploration into sexuality provides individuals with the ability to have their wildest fantasies projected into their mind as if they were a reality in order to douse the insatiable cravings people are unable to otherwise sedate in real life.

This melodrama investigates the life of a sex worker, in a pseudo-documentary style.

In a dilapidated rural mansion, the last generation of the degenerate, inbred Merrye family lives with the inherited curse of a disease that causes them to mentally regress from the age of 10 or so on as they physically develop. The family chauffeur looks out for them and covers up their indiscretions. Trouble comes when greedy distant relatives and their lawyer arrive to dispossess the family of its home.

The all-girl school foil an attempt by train robbers to recover £2.5 million hidden in their school.

A strippers' convention and a major contest. The movie focuses on a few strippers, each with her own strong motive to win.

Sid and Bernie keep having their amorous intentions snubbed by their girlfriends Joan and Anthea, so when they decide to take them on a holiday to Paradise Camp, they think they're off to a nudist colony—but they couldn't be more wrong, and meet up with the weirdest bunch of campers you can imagine.

Ofelia, the sexy operator of a service station, attracts the attentions of several admirers, including her former lover Rocky, a truck driver, and the noble Sir Archibald.

Mysterious and unearthly deaths start to occur while Professor Saxton is transporting the frozen remains of a primitive humanoid creature he found in Manchuria back to Europe.

The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).