Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City's African American and Latinx Harlem drag-ball scene. Made over seven years, PARIS IS BURNING offers an intimate portrait of rival fashion "houses," from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women — including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza.

In 1992, at the height of the AIDS pandemic, activist Terence Alan Smith made a historic bid for president of the United States as his drag queen persona Joan Jett Blakk. Today, Smith reflects back on his seminal civil rights campaign and its place in American history.

The intimate journey and unpublished backstory of BeBe Zahara Benet – a charismatic drag performer originally from Cameroon, and the very first winner of the culture-changing phenomenon, RuPaul’s Drag Race. With over a decade of unprecedented access, we observe BeBe’s struggles with celebrity, authenticity, success, and failure.

Sheryl Swoopes famously has been labeled as the female Michael Jordan, but that's only part of the story. On the court, she was nearly as dominant as Jordan, winning a national championship with Texas Tech, three Olympic gold medals, three MVP awards and four consecutive championships with the Houston Comets of the WNBA, the league she helped start. She even had a Nike shoe named after her, the Air Swoopes. Off the court, she has had a life full of transitions. She gave birth to her son, Jordan, during the inaugural season of the WNBA. Later, she divorced her high school sweetheart and became the highest-profile athlete in her sport to acknowledge she was gay. She has struggled with love, money and personal identity, but has never lost her spirit. In this portrait, you will meet someone who is not your everyday superstar, but a woman who has defied a multitude of labels.

Interview with Jason Holliday aka Aaron Payne. House-boy, would-be cabaret performer, and self-proclaimed hustler giving one man's gin-soaked, pill-popped view of what it was like to be black and gay in 1960s United States. Preserved by the Academy Film Archive in partnership with Milestone Films in 2013.

From adoption and homelessness to navigating relationships and overcoming self-harm, the four transmen in MAN MADE all have something else in common: they are all bodybuilders. Through the lens of FTMFitCon, the world’s only FTM bodybuilding competition, we delve into the lives of Dominic, Rese, Mason, and Kennie as they define what it means to be a man while contextualizing that definition through the social, racial, and economic realities of their lives. For the men of MAN MADE, it’s not about winning—it’s about stepping on stage and being seen for everything they are.

He is a sensitive boy who represses his true personality. After experiencing traumatic experiences, our protagonist begins to open to the world on a journey that made him the person who is. This is not the complete story, but shows a trajectory of overcoming and change.

Maurice Hines -- actor, director, singer, and choreographer -- navigates the complications of show business while grieving the loss of his more famous, often estranged younger brother, tap dance legend Gregory Hines.

A documentary that approaches polyamory from the intimate point of view of an Afro-American family who decided to live an authentic life without denying the option of diversity in their love and family.

Documentary on Bayard Rustin, best-remembered as the organizer of the 1963 March on Washington.

From the sweaty basement bars of 70s New York to the glittering peak of the global charts, how disco conquered the world - its origins, its triumphs, its fall and its legacy.

African-American documentary filmmaker Marlon Riggs was working on this final film as he died from AIDS-related complications in 1994; he addresses the camera from his hospital bed in several scenes. The film directly addresses sexism and homophobia within the black community, with snippets of misogynistic and anti-gay slurs from popular hip-hop songs juxtaposed with interviews with African-American intellectuals and political theorists, including Cornel West, bell hooks and Angela Davis.