Top Nazi officials, intent on rooting out traitors and those in the military who may be plotting to overthrow Adolf Hitler, recruit and train a group of beautiful prostitutes whose mission is to use any means necessary to uncover plots against the Fuhrer.

Quentin and Antoine are 18-year-old twins. Without their father knowing it, they set out on a voyage to Spain, where their mother's funeral is to take place. The two brothers barely knew their mother. Their hitchhiking journey is full of encounters, arguments, reconciliations, and experiences. Their time on the road also reveals their differences, the splits in their attractions, and the confusion of their feelings.

Fashion designer Joanna Crane leads a double life. By night she is China Blue, a prostitute who's attracted the attention of a sexually frustrated private detective, and a psychopathic priest in possession of a murderous sex toy.

The ghost of a dead porn star comes to Earth to help a nerd with his sex life.

Frau Oberst has 2 young nieces who are very open with their sexuality. She hopes to find adequate lovers for her nieces and along the way finds herself in some precarious sexual situations. After a series of sexual encounters between just about everyone at the estate, the Countess drops by for a party where the nieces announce their wedding intentions.

A chambermaid and a former cop meet at a speed dating event and a romance develops. But during a romantic getaway things suddenly take a turn for the worse when her mysterious past is revealed.

TV personality Robert Danvers, an exceedingly vain rotter, seduces young women daily, never staying long with one. He meets his match in Marion, an American, 19, who's available but refuses any romantic illusions.

Prequel to the Henry James classic "Turn of the Screw" about the events leading up to the deaths of Peter Quint and Ms. Jessel, and the slow corruption of the children in their care.

Doreen Ross plays Laura Zuckerman a young housewife tortured by experiences of childhood sexual abuse. This is a poignant display of the human mind desperately grasping for normalcy while having been "trained" otherwise at an early age. While Laura's mother is in the hospital for a long stay her father terrorizes Laura. Sex then is the next step and before Laura's mother comes home her father makes her promise not to tell her mother what he has been doing to her. Laura's reality is now well tainted as she oscillates repeatedly between what is real versus what she thinks is real in the actions of both men and women towards her.

Lena, aged twenty, wants to know all she can about life and reality. She collects information on everyone and everything, storing her findings in an enormous archive. She experiments with relationships, political activism, and meditation. Meanwhile, the actors, director and crew are shown in a humorous parallel plot about the making of the film and their reactions to the story and each other. Nudity, explicit sex, and controversial politics kept this film from being shown in the US while its seizure by Customs was appealed.

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.