
Ohne Dich!
Romance · Drama · TV Movie
Overview
Three loosely connected stories: The relationship between midwife Rosa and therapist Marcel is shaken to the core by a cancer diagnosis. Wandering aimlessly through life, waitress Motte is horrified to discover she’s pregnant – by her best friend Neo, who’s not even sure about his sexual orientation. Finally, cleaning lady Layla refuses to accept that her ex, Navid, has left her for a younger woman. Each situation escalates on one fateful night: A gun is fired, a woman dies, and a child is born. ‘Without you’ – an expression that can be formulated both negatively and positively: ‘I can’t live without you’ also means ‘life is much better with you’. Director Alexandre Powelz maximises this interpretation to its fullest potential. OHNE DICH is a film both about love and its bitter ingredients, and the equally sobering, yet comforting certainty that life goes on.
Top Cast


Katja Riemann
Katja Riemann
Rosa
Katja Riemann
Rosa


Charly Hübner
Charly Hübner
Marcel
Charly Hübner
Marcel


Meral Perin
Meral Perin
Layla
Meral Perin
Layla


Helen Woigk
Helen Woigk
Motte
Helen Woigk
Motte


Sarah Horváth
Sarah Horváth
Mitra
Sarah Horváth
Mitra
Arne Gottschling
Arne Gottschling
Neo
Arne Gottschling
Neo


Rolf Hoppe
Rolf Hoppe
Hans
Rolf Hoppe
Hans


Stephanie Schönfeld
Stephanie Schönfeld
Katrin
Stephanie Schönfeld
Katrin
Julia Kelz
Julia Kelz
Sonja
Julia Kelz
Sonja
Bijan Zamani
Bijan Zamani
Navid
Bijan Zamani
Navid
Similar Movies

Andrey Kulikov goes to Paris to visit the grave of his great-grandfather, Andrey Dolmatov, who had been an officer in the White Army during the Russian Revolution. On the headstone of the grave next to his great-grandfather's, he notices the face of a young woman. Later, while walking through Paris, Andrey sees a woman, Vera, who looks just like the young woman he had seen on the headstone. And so begins the telling of two love stories, separated by three generations and one hundred years.

Sam is a shy, mysterious and inconspicuous teenage girl, who falls in love with Troy, leader of an ultraviolent teenage gang, who does not feel physical pain, nor knows what love is. Together, against everyone and everything, they will face a series of obstacles trying to separate them, meanwhile figuring out what love and pain are. Debuting at Curtas, French filmmaker Elsa Rysto presents a love story mediated by ultraviolence, in a modern variation on the classic story of Bonnie and Clyde – or of the more contemporary Mickey and Mallory from “Natural Born Killers”. “Love Hurts” is a simple yet sensitive narrative about the so-called growing pains.

Part of the series of Universal B-musicals teaming Martha O'Driscoll and Noah Beery Jr., this film is also a remake of the 1937 comedy Love in a Bungalow. Patty Callahan (O'Driscoll) offers residence in a model home to soldier Jeff (Beery) and soon falls in love with him. Although the pair are unmarried, they enter a marital contest intended to celebrate the "Happiest G.I. Couple." Winning the contest brings on all sorts of farcical troubles until the couple are able to be united for real. Songs include "Don't Sweetheart Me" and "Best of All."

On a young waitress’s birthday, the perplexing appearance of one of her deceased mother’s homemade cakes deeply troubles her. Over her shift that evening, surrounded by happy families in the little restaurant where she works, memories of her mother crowd in, and her attempts to repress her emotions grow ever more difficult.

Aisha thought she had found happiness with Arif, a figure who perfectly complemented her life. Making her not hesitate to remove all obstacles, even the most difficult ones, to prove how great her love was. In fact, the love that Aisha believed in not only gave her wings to fly high, but also dropped her from the highest place, taking her to wander the jungle without a clear goal. Making her ask, Have the decisions she has made so far been right? Where will her love find its estuary? Truly God is All-Good, the journey through Ningxia made Aisha realize that time is another form of His goodness. And the most important part is not the beginning, but the end. Always the end.
















