Professor Mahmoud loves the dancer Samia, who discovered her talent even with the age difference between them, but she treats him as a friend. When singer Adel comes to work with them, Samia is attracted to him, which causes Mahmoud's jealousy, and makes him sign with another casino.

A poetic story about the first love of the village girl Natasha, loyal to the memory of the deceased fiancé. In peacetime, the heroine's fiancé blew up on a land mine that remained on the collective farm field since the war, and her life turned into a nightmare. But sooner or later, dreams end and the world opens again. Pregnant Natasha goes to the institutions, seeking to be signed with the father of the unborn child who died tragically. At the end, after long ordeals, she comes to the conclusion that writing in the marriage book will not change anything in her life.

In late 19th century France, the Countess Louise, wife of a wealthy general, sells the earrings her husband gave her on their wedding day to pay off her secret debts, then claims to have lost them. Her husband quickly learns of the deceit, which is the beginning of many tragic misunderstandings, all involving the earrings, the general, the countess, and her new lover, the Italian Baron Donati.

Warsaw, Poland, 1953. Mr. T., a renowned writer, lives in a hotel and earns his living by giving private lessons.

Raqia loves her neighbor Fouad and they promise to get married, but unfortunately for the girl, her father and mother divorce. Her uncle comes to live with her and she finds his fanaticism very difficult, which forces her to leave the house and seek refuge with her father. She finds him tolerant, but her stepmother causes trouble between her and Fouad and attracts him to her. Raqia gets the chance to take revenge and exposes her frivolous stepmother.

Middle-class housewife Kay Miniver deals with petty problems. She and her husband Clem watch her Oxford-educated son Vin court Carol Beldon, the charming granddaughter of the local nobility as represented by Lady Beldon. Then the war comes and Vin joins the RAF.

“If you jerk off a 100 times, you die.” This threat rings through the ears of our main character. One day he has to choose between imminent hell and the impetuousness of adolescence.

A young woman uses her body and her sexuality to help her climb the social ladder, but soon begins to wonder if her new status will ever bring her happiness.

A man with an umbrella emerges from his grave to be momentarily reunited with his lost loved one.

The French Revolution, 1794. The Marquis de Lafayette asks Charles D'Aubigny to infiltrate the Jacobin Party to overthrow Maximilian Robespierre, who, after gaining supreme power and establishing a reign of terror ruled by death, now intends to become the dictator of France.

Mid 20th century. Industry is developing rapidly and the need for workers in factories is growing. After graduating from the tenth year, Viktor Chernyshyov, now a city dweller, did not bother to continue his education and went to the plant as a turner. He considered it quite normal that the guys enthusiastically listened to the stories of his peer Kolya, a lounger who boasted of victories over women, and participated in his dubious amusements. Only one of them, Pyotr — a real worker, a doctor, tried to reason with Kolya and the others.

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.