An unofficial sequel to the movie "Ivan Vasilyevich Changes His Profession". The events take place on New Year's Eve 1997-1998, 24 years after the events of the movie. According to the plot, the main characters (Shurik, Bunsha, Zina and Ulyana Andreyevna) are going to celebrate New Year's Eve, and the engineer Alexander Sergeyevich Timofeev (Shurik) decides to present his recreated (and modernized) time machine to the guests. Having gone to the XVI century, they find there an aged Georges Miloslavsky, who has been sitting as regent for 25 years instead of Ivan the Terrible, who has run away; the Tsar was so inspired by the profession of Zina and Yakin that he decided to try his hand at filmmaking and went to "Mosfilm" instead of the Tsar's chambers. In an effort to correct the disruption of the course of history, the heroes re-engage the time machine and travel back to the 1970s in search of the Tsar, who dreams of becoming an actor.

After wrecking Popeye's ship and stealing away Olive Oyl, hero of Arabic legend Sindbad decides to test him and his ever-resilient new rival's strength in order to prove their supremacy as the "most remarkable, extraordinary fella" of Sindbad's menagerie island.

Larry the Cucumber's vision of the future includes automated robotic hosts telling jokes with random punch lines and musical numbers in which the performers and themes are chosen entirely by chance. As Bob the Tomato quickly points out, the jokes of the future aren't very funny because they don't make sense. Worse, technical malfunctions in the Ventrilomatic hosts actually promote emotional instability. Nonetheless, Bob admits that Larry's vision of the future contains some very cool adaptations of classic songs like Gilbert and Sullivan's fast-talking "Modern Major General" and Binky the Aardvark's solo performance of Mozart's The Barber of Seville. Larry's vision of the future also includes an amusing animated short about greed called "Lunch." Junior Asparagus calls Bob and Larry back to the present with a final song celebrating God's unconditional love.

The young craftsman Gogia and the village girl Tasia fall in love with each other. Arriving in Tasia's village accompanied by a wedding procession, Gogia Can't find his bride anymore, Turns out by the order of Tasia's godmother, the duke's wife, she was taken to the duke's house as a servant. The elderly duke liked Tasia and decided to marry her. Gogia with the help of his friends, Karachokheli, tries to get his bride back.

The evil knight Torchesac, who is at the service of the sinister lord of La Mortaille, gets a very powerful magic flute and uses it for evil purposes. Johan and Pirlouit, assisted by the magician Homnibus, travel to the land of the Smurfs, the only manufacturers of this sort of instrument, to get a new one and battle the usurpers.

Buck Peters arranges for Hoppy, California, Johnny and other cowboys to go to the aid of friends whose cattle are being rustled. Hoppy and California locate the rustlers' hideout and join the gang by posing as outlaws themselves, but must find a way to let the rest of the posse know where they are.

Hoppy, California and Johnny come to the ranch of a friend and his daughter, disguised as dude detectives from the east, to investigate the disappearances, without a trace, of several herds of cattle.

In the window of the house, where some say the sweetness dwells, is reflected, every night, a delicious story.

While taking a walk, Chico Bento, a boor living in the backwoods of Brazil, tells his friend Zé Lelé and girlfriend Rosinha some fantastic stories happened to him: he'd been turned into a frog, been attacked by ants and by an animal resembling a jaguar, and some other doubtful cases.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

Fields of France, during the First World War. A group of young soldiers, united by the indiscriminate brutality of battle, fights to maintain their humanity in an endless cycle of combat and death.

A group of geologists are in a prospecting expedition. Their personalities are explored as well.