In 1911, a willful and determined man from peasant stock named Charles Saganne enlists in the military and is assigned to the Sahara Desert under the aristocratic Colonel Dubreuilh.

“Entre el grito y la celda” is a film adaptation of the theatrical monologue “Lolita", which has been performed locally and internationally for the past 11 years, with over 60 performances in 5 countries, 5 states in North America, and more than 40 municipalities in Puerto Rico. The story is set in late 1954, when political prisoner Lolita Lebrón had already been sentenced to 50 years in prison at the federal prison in Alderson, West Virginia, for leading an attack on the United States Congress. The film explores Lolita's life and patriotic thoughts through poetic language, intertwining her three most significant aspects: her fervent religiosity, her fight for justice from the perspective of a young woman and mother, and her patriotic bravery to risk her freedom for causes and values she firmly believed in. The movie highlights the themes of national identity and the struggles of a resilient woman who became, for many, the Mother of the Puerto Rican Nation.

Three college students set out to document what other people dread the most. However, one of the three turns out to secretly be a sadistic psychopath who uses this knowledge to gruesomely torture the subjects.

Convent of Sinners is the story of Susanna, a young girl who is raped by her own father and sent to a convent for her sins, where she falls in love with a priest. The other nuns, however, are jealous and angry, they want Susanna for themselves, and accuse her of being possessed by the Devil.

A film edited from the home movies of serial killers Wayne and Andrea Montgomery, which presents a look into their quiet, suburban lives...and the graphic, disturbing details of their horrific crimes.

Maria, an unfortunate young woman, kills her rapist father in self-defense, and is later tried, sentenced, and shipped off to a woman's penitentiary where she and her fellow inmates are subjected to psychological and sexual abuse at the hands of a psychotic lesbian warden.

In this third installment of the "Olga" series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga's House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it's difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.

After having a close call performing self-bondage, Jan Collins, a wealthy divorced woman, goes to a discreet wish fulfillment service. After agreeing to their terms of service, she's blindfolded, taken to a warehouse, and chained up to become the submissive slave of a blonde dominatrix. Her new mistress might have more evil plans in her mind for her though.

Jimi, a computer game designer, finds that his latest product has been infected by a virus which has given consciousness to the main character of the game, Solo. Tormented by the memory of his fled girlfriend Lisa and begged by Solo to end its useless "life", Jimi begins a search for people who can help him both to discover what happened to Lisa and to delete his game before it is released.

When an Egyptian terrorism suspect "disappears" on a flight from Africa to Washington DC, his American wife and a CIA analyst find themselves caught up in a struggle to secure his release from a secret detention facility somewhere outside the US.

Sabu and his pals hold a pauper's funeral for Sabu's mother. His brother Jiro arrives home, fresh out of jail, and Sabu pointedly states that Jiro is not invited. Jiro meanwhile is planning a big job - steal 40 million in cash and drugs, and he invites Sabu and gang to act as decoys, for 50,000 each. The sting is a success, but the double-crossing starts almost immediately. Sabu discovers how little of the take they were promised and hides the stash. Jiro and his slimy partner pressure the kids to fess up. Meanwhile, their respectable elder brother Ichiro is being leaned on by the town's big boss, whose money it was.

A young woman answering an ad for a traveling companion winds up drugged, kidnapped and in the clutches of a white slavery ring.