
Maytime in Mayfair
Drama
Overview
Penniless man-about-town Michael Gore-Brown is delighted to hear he has been left a high-class Mayfair fashion salon. His intention is to sell it as quickly as possible, but on meeting Ellen, chief designer and manager, he quickly changes his mind and turns his attention to courting her.
Top Cast


Anna Neagle
Anna Neagle
Eileen Grahame
Anna Neagle
Eileen Grahame


Michael Wilding
Michael Wilding
Michael Gore-Brown
Michael Wilding
Michael Gore-Brown


Peter Graves
Peter Graves
D'Arcy Davenport
Peter Graves
D'Arcy Davenport


Tom Walls
Tom Walls
Inspector
Tom Walls
Inspector


Thora Hird
Thora Hird
Janet
Thora Hird
Janet


Nicholas Phipps
Nicholas Phipps
Sir Henry Hazelrigg
Nicholas Phipps
Sir Henry Hazelrigg


Michael Shepley
Michael Shepley
Shepard
Michael Shepley
Shepard


Mona Washbourne
Mona Washbourne
Lady Levenson
Mona Washbourne
Lady Levenson
Max Kirby
Max Kirby
Mr. Keats
Max Kirby
Mr. Keats


Desmond Walter-Ellis
Desmond Walter-Ellis
Mr. Shelley
Desmond Walter-Ellis
Mr. Shelley
Similar Movies

Ruth Ellis lives with her ten-year old son Andy next to a night club. One night she meets David Blakely, and they start a love affair. However, for David with his upper-class background, it is impossible to uphold the relationship. He breaks up with her, something which makes Ellis, obsessed by him, very upset.

The citizens of a small town find it difficult to depart from its center, which is to be demolished to build a new, a more functional one. The chairman of the municipality, the first citizen of this small town, supports the plan of female architect-designer, a pretty girl he fell for. But to make locals sure that he didn't approve the old center's demolition under her influence, the president begins to avoid the girl, who then marries another man. By carrying out the ritual wedding, the first citizen of a small town is left with his city all alone.

After 20 years of marriage, Ana Lúcia and her husband Fábio decide to get a divorce. Fábio, however, decides to move to an apartment across the street, in front of the window of his former apartment - where Lúcia still lives. Both will have to learn how to deal with job crisis, problems with their daughter and this whole new situation.

After her husband, Carl, suddenly leaves, Joline travels from New York to Texas to track him down. Although Joline tries to remain upbeat, she is discouraged when she discovers that Carl already has a new girlfriend, the lovely Carmen. Familiarizing herself with Carl's new home and friends, Joline gets company in the form of her brother, Jay. Will Joline win Carl back, or are there other romantic possibilities on her horizon?

With his landlord breathing down his neck and his writing career stagnant, the last thing Harrison Tyler (Dean Winters) needs is a kid hanging around. But he's in for a surprise when his ex-girlfriend (Lorraine Ansell) leaves her precocious 6-year-old (Emily Mae Young) in his care for a few weeks. It turns out the girl possesses remarkable matchmaking skills, and soon Tyler's professional and romantic fortunes begin to turn around.

Ira translates as “Anger,” but the titular emotion isn’t often conveyed by the unnamed man and woman at the center of this subdued Italian drama set on the grim fringes of society. Instead, they spend their nights working—he in the market, she on the streets—or wandering restlessly and relentlessly around their dark, decaying city. Writer/director Mauro Russo Rouge follows his characters as they drive down roads lit by the yellow glow of streetlights, push through the crowds at a pink-hued nightclub, pick up supplies in a glaringly bright supermarket, and meander down sidewalks with drinks in hand. They rarely emerge into the sunlight; most of the action takes place in claustrophobic indoor spaces or in the cold, gray light of dusk or dawn. So, too, do their expressions remain withdrawn—even when their nascent relationship triggers a decisive act of violence.














