The Thing Called Love

In war-torn colonial America, in the midst of a bloody battle between British, the French and Native American allies, the aristocratic daughter of a British Colonel and her party are captured by a group of Huron warriors. Fortunately, a group of three Mohican trappers comes to their rescue.

The main characters are two male best friends, Jerry and Hui Lok, and their female friend, Cherie. The story revolves around their relationships with others, including Jenny and Kei Kei, and each other. Jerry, Cherrie, and Lok are a pop trio, and the boys have agreed not to court Cherrie for the good of the group. Jerry's a feckless playboy, but he falls hard for the beautiful and talented Fonfong; she becomes his roommate as Cherrie looks on. Lok has two women in his life, the young and innocent Man-Yi, and Rachel, a mysterious minx into bondage and sexual excess. Things come to a head when Fonfong has a chance to study in Paris and Rachel takes things a bit far with Lok. It's time for Jerry and Lok to look around: is true love closer at hand? And what about Cherrie, who's been bruised often by Jerry: what will she decide?

Upon hearing that her fiance has been killed in battle, a woman makes her way to the Park Pagoda to seek comfort from the monument. There she becomes acquainted with Henry Jang, a Korean-American whom she eventually marries. There is no happy ending for the two, however, because her fiance shows up alive and well, but bitter over his lover's fickle nature

A look at what goes on backstage during the last broadcast of America's most celebrated radio show, where singing cowboys Dusty and Lefty, a country music siren, and a host of others hold court.

Rewi Rapana returns to the small country town of Te Mata after his family has left the district. His arrival rekindles old tensions as well as renewing family ties. He is seeking an identity and a permanent place to call home yet desperately hiding a secret from his past. Oddly enough there is one person with whom he finds peace of mind. She is an old woman known as Kara. A special relationship develops between Rewi, Kara and Kara’s great granddaughter Awatea.

Suffering from a crippling memory loss ever since an accident at the age of six, Toshiaki finds new hope, and a new mystery, when he is visited by a girl from his own future.

Ten years following the breakup of the family band, The Banner Project, siblings Desiree, Johnny, and Mitchel Banner, are faced with the decision to reunite in order to save their home town from bankruptcy.

Dia(Pankaja Menon) heroine of the movie is a management student in Mangalore. She and four of her friends(Catherine, Hashim, Yamini and Chinna Gounder) visits Rajasthan for 15 days to attend a marriage. There she meets a Rajput boy Pavan(Arun Shankar) and falls in love with him. What happens to her there after that in that unknown land makes the content of the film.

Sylvia and Cora Miao play two widowed mothers, best friends and confidants who spend their days reminiscing about times past. Over the course of a lazy weekend afternoon, the two women conjure memories of Cora's husband, his life, his death, and his passionate affair with Sylvia. A series of wistful flashbacks reveal the sometimes touching, sometimes painful circumstances around the women's deep friendship with one another, and their love for the same man.

Veteran catcher Crash Davis is brought to the minor league Durham Bulls to help their up and coming pitching prospect, "Nuke" Laloosh. Their relationship gets off to a rocky start and is further complicated when baseball groupie Annie Savoy sets her sights on the two men.

In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.

Art film producer Jeremy Prokosch, unhappy with the work of his director, hires Fritz Lang (as himself) to direct an adaptation of The Odyssey, but when it seems that the legendary filmmaker is making a picture destined to bomb, he brings in a screenwriter to energise the script. The professional intersects with the personal when a rift develops between the writer and his wife.