Ann, a 19-year-old girl who looks much younger, meets a dashing army major on a boat sailing from Liverpool to Bombay, India, and falls in love with him. Her love appears to be unrequited, though, because the major thinks she is far too young--and also, unknown to her, because he had once been in love with her mother. When a fellow passenger on the ship takes advantage of the naive girl the major comes to her rescue, but in the process the girl finds out about the past relationship between he and her mother.

Upon striking oil on his farm, Silas T. Pettingill (Charles Eldridge) moves to Park Avenue at the behest of his social-climbing wife Maria (Kate Blancke) and daughter Helen (Emmy Wehlen). But like Jiggs in the comic strip, Pettingill never loses his common touch, and one evening he goes out on a toot with his new chauffeur Hubert Stanwood (Paul Gordon).

"'Boxcar' Simmons, a tramp, represents himself as a mining millionaire in a small town. The population accepts him at his own valuation, and two of the town's 'slickers' make desperate efforts to 'take him for his roll.' One of their schemes is to sell him a worthless ranch, but he turns the tables on them by making them believe that the ranch is a veritable bed of silver ore, and then, after they buy it, he presents the major part of the proceeds to the girl who owns the place and with whom he had fallen in love." (Moving Picture World, 24 Jun 1922, p. 736.)

Two pals enlist in the army during World War I. Just before they complete training camp and are to be sent overseas, they're scheduled to marry their girlfriends. However, they get in trouble and wind up in the guardhouse. Their girlfriends are determined to get married, however, and in order to accomplish this, they disguise themselves as soldiers and sneak onto the base, where they unwittingly get mixed up with enemy spies trying to gather information.

Satirical silent movie based on the play Macbeth written in 1916 by Peter Pan creator and playwright J. M. Barrie as a parody of the American entertainment industry. The film was made by the newly created British Actors Film Company in response to news that American filmmaker D. W. Griffith intended to honor the 300th anniversary of William Shakespeare's death by producing of a film version of the play. It was subtitled A Suggestion for the Artists of the Future. It was screened at a charity benefit attended by the royal family, but was not widely distributed, and no copies are known to survive.

Clarence Brooks is a shy, timid man working for Mr. Flavell. He is love with Flavell's daughter, Nancy. Nancy is shallow and fickle, always chasing after other, less-upstanding men. Clarence enlists when World War I erupts. While Clarence is off defending his country, Nancy's mother arranges for her daughter to marry the wealthy Mr. Braille. When Braille is drafted, Nancy's mother starts arranging a rush wedding, against Nancy's wishes. Nancy claims that she and Clarence are already secretly married. When the war is over and Clarence returns home, he refuses to be a part of her charade. When Clarence declines the offer to marry Nancy for real, she must mature to win his affections back. A lost film.

Lizzie Stokes, an obscure and colorless actress, is elevated to stardom through publicity and better coaching from Daniel Hoffman, a theatrical producer. As Olga Rostova, an exotic Russian, she meets Norman Brooke, whose infatuation turns to love. Hoffman suggests that Norman could never care for Lizzie and proves his point. Heartbroken, Lizzie decides to see no more of him. On closing night, when he proposes to her in her dressing room and she refuses, Norman declares he must believe all the lurid details of her past; in desperation, she bares her true identity, only to find it is not her glamorous image but rather her real self that he loves.

A girl needs to marry by a year to get her aunt's money but her fiancé has left. After getting permission from her godfather for a "white wedding," she realizes she loves the godfather instead.

The life and complex relationships of ambitious college professor Walter Hubbard and the titular character, Elizabeth Owen, exploring the deeply intertwined personal and professional conflicts he faces, and how Elizabeth's presence and their history together reshape his trajectory.

Elena Evans is raised by her puritanical Aunt Elvira, who believes that because of Elena's mother, Elena possesses "the scarlet strain."

Two engaged vaudeville magicians quarrel and go their separate ways.

A New York fur saleswoman falls for a man she meets on the subway and must decide if she wants to accept a much dreamed for work transfer to Paris, or stay and get married.