Gigantic machine combs beach in southern California and retrieves articles lost in sand; synthetic gems made by new chemical process; aviation school holds classes in grounded transport plane; how seaweed is processed for scientific use.

For decades, Barbara Dane lent her stellar singing voice to social-justice movements in the Bay Area and beyond, garnering an impressive FBI file along the way. Deeply respected by fellow luminaries in folk, blues and jazz, Dane built a far-reaching legacy with music, activism, and love. As Maureen Gosling’s celebratory portrait reveals, early solidarity with those suffering racial and economic injustice sparked Dane’s passion to use her talent to sustain marginalized people. Rather than chase stardom, she followed her own maternal instincts to root herself and her family among generations of activist performers. Bonnie Raitt, Jane Fonda and other notables attest to Dane’s unique way of shaping and being shaped by tumultuous social revolutions from the 1950s on. Nearing 90, Dane triumphantly tours with piano virtuoso Tammy Hall to celebrate a life of staying awake and connected, true to her ideals. One star among many illuminates so much.

"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).

The creative chemistry of four brilliant artists —drummer John Densmore, guitarist Robby Kreiger, keyboardist Ray Manzarek and singer Jim Morrison— made The Doors one of America's most iconic and influential rock bands. Using footage shot between their formation in 1965 and Morrison's death in 1971, it follows the band from the corridors of UCLA's film school, where Manzarek and Morrison met, to the stages of sold-out arenas.

Two unhoused men turned community leaders— John and LaMonté —organize their neighbors in the face of displacement, addiction, and a failing social system.

Riding Giants is story about big wave surfers who have become heroes and legends in their sport. Directed by the skateboard guru Stacy Peralta.

Once hunted to extinction, the California Grizzly survives only as a symbol, frozen on the state flag, waving over the land it once roamed. A century later, will California bring back its lost icon or leave it in myth?

While California is going bankrupt, one business is booming. "How Weed Won the West" is the story of the growing medical cannabis / marijuana industry in the greater Los Angeles area, with over 700 dispensaries doling out the buds. As a treatment for a wide range of conditions, cannabis is quickly proving itself as a healthier natural alternative to many prescription drugs.

A description and enactment of the discovery of gold by James Marshall, and the role played by John Sutter. Preserved by the Academy Film Archive.

Vans Skateboarding is proud to present Lizzie, a short 35mm film directed by renowned filmmaker Greg Hunt. Unveiling a personal, intimate account of Lizzie Armanto beyond her skateboarding accolades and identity as one of the world’s most talented skateboarders, the film is the first to explore Lizzie’s life through the lens of those closest to her, including her mother, husband as well as skate legend Tony Hawk.

Against the backdrop of deserted spaces, a filmmaker explores his abandoned Zodiac Killer documentary, delving into the true crime genre's inner workings at a saturation point.

The Center Of The Universe chronicles four days in the life of German climber Alexander Huber in Yosemite Valley, California. Living the typical Yosemite vagabond lifestyle, Alex reflects on his goal of successfully free-climbing "El Corazon" (35 pitches, 8a) on the famous El Capitan face, which is a combination of the historic routes "Salathé," "Albatross," "Son of Heart," and "Heart Route," connected by newly laid out sections. 35 challenging pitches, combining technicality, stamina, and commitment, with difficulty levels up to 8a. The film showcases the unique style of climbing in Yosemite, as well as a piece of history of the famous valley, narrated by Heinz Zak, Jim Bridwell, Lynn Hill, Alexander Huber, and Chongo Chuck themselves.