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Documentary about punk band Heavy Load, subject to the combustible flux of ego, ambition, fantasy, expectation and desire that fuels any emerging band, but uniquely made up of musicians with and without learning disabilities. This makes the band's survival a precarious negotiation between two different worlds - on the one hand the institutional timetable of day centres, work placements and social workers and, on the other, the chaotic slacker life of rehearsal rooms, studios and gigs. (Storyville)

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Horror fan Tal Zimerman examines the psychology of horror around the world to find out why people love to be scared.

'After Haiyan' is a short film about the challenges faced by the Deaf community in Tacloban, Philippines accessing disaster relief, medical care, and basic services after Typhoon Haiyan, known locally as Yolanda.

Equal parts punk and psychedelia, the Flaming Lips emerged from Oklahoma City as one of the most bracing bands of the late 1980s. The Fearless Freaks documents their rise from Butthole Surfers-imitating noisemakers to grand poobahs of orchestral pop masterpieces. Filmmaker Bradley Beesely had the good fortune of living in the same neighborhood as lead Lip Wayne Coyne, who quickly enlisted his buddy to document his band's many concerts and assorted exploits. The early footage is a riot, with tragic hair styles on proud display as the boys attempt to cover up their lack of natural talent with sheer volume. During one show, they even have a friend bring a motorcycle on stage, which is then miked for sound and revved throughout the performance, clearing the club with toxic levels of carbon monoxide. Great punk rock stuff. Interspersed among the live bits are interviews with the band's family and friends, revealing the often tragic circumstances of their childhoods and early career.

It's a story about post-90 generation in China and how they chasing their dreams through a talent show. The summer of 2013 saw a group of young boys enter a Chinese TV talent show called Super Boy, hoping to be catapulted to fame. The film documents how the young boys coped with their new challenging lives. While under unthinkable pressure, they proved themselves by trying to make the right choices during live shows. Talent shows create a new type of entertainer, but can they still keep their true selves? Can they adjust themselves and balance the ups and downs? What have the ten years of Chinese talent shows given us? What is urging us to grow up?

A long overdue documentary that tells the story of 2000AD, the unsung cult hero of the comics industry. This film will celebrate and pay respect to the comic and explore its importance and influence on contemporary pop culture.

This visual essay by John Bengtson, author of Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton, reveals the locations where Keaton's 1927 comedy feature College was filmed in Hollywood, Los Angeles, and Orange County. A compilation of short films produced between 1917-1922. Coney Island (1917), Back Stage (1919), Convict 13 (1920) and Daydreams (1922).

Todd Loren, whose scandalous series of unauthorized comic book biographies of rock stars enraged and sometimes charmed his subjects, provoked numerous lawsuit threats from the likes of Bon Jovi, Guns N Roses and Skid Row, and eventually led to a landmark First Amendment case, all before he was savagely murdered in 1992. Includes first hand accounts from many of the artists and writers who were inspired and exploited by Loren, along with interviews with Alice Cooper, Mojo Nixon and more.

A recovering alcoholic and recently converted Mormon, Arthur "Killer" Kane, of the rock band The New York Dolls, is given a chance at reuniting with his band after 30 years.

Dither: The D.I.Y. Sound is not your conventional punk rock documentary. In this documentary we explore the ideologies created by cornerstones of the early punk community such as Ian Mackaye of Minor Threat, Fugazi and Dischord Records. But beyond that, we explore the communities and people that have adopted these ideologies and created their own version of what it means to be D.I.Y. This is not a documentary about just music, it's a documentary about the communities that surround the music and embrace it as a way of identification and brotherhood. But this documentary doesn't just ask questions about the culture, it asks questions about how it's possible to maintain a culture that is, at it's core, so opposite of the modern economic and social system.