No description available.

A dance and music film tailored completely for Marika Rokk: After her divorce, the wife of a composer uses her wit and charm to engage Marika as a singer and dancer on the stage. This manages to give life once again to the extinguished love between her and her former husband.

In a move to make his partner, Renato, jealous, the flamboyant Albin waits in a local cafe - dressed as a woman - hoping to be picked up. But Albin gets more than he bargains for when the fly he catches in his web is actually a spy, who uses him as an unwitting courier of secret microfilm. Now on the run from ruthless agents, Albin and Renato flee to Italy where they attempt to hide out on a farm, with Albin posing as Renato's wife. Can Albin escape the deadly pursuit of these relentless spies or does he have to sustain this charade - as a woman - forever?

An all-star revue featuring MGM contract players.

Olsen and Johnson, a pair of stage comedians, try to turn their play into a movie and bring together a young couple in love, while breaking the fourth wall every step of the way.

Despite the fact that production manager Kruse doesn't have the actors or the crew for the job, he recklessly boasts that he could direct a revue film. To prevent him losing face, Kruse brings together four people - a dramaturg, a composer, a writer and an architect - and gives them the thankless task of turning his idea into a film. Except for the relatively unknown composer Alexander Ritter, who is enthusiastically committed to the project, the other members of the team find themselves stuck in this mess.

The late, great impresario Florenz Ziegfeld looks down from heaven and ordains a new revue in his grand old style.

No description available.

Henrik Dorsin revives the comedy revue of the 1940s and 50s on the Scala theatre stage with sketches and musical numbers.

Naima Wifstrand, leading old lady, dressed as a Primadonna presents the variety revue "The Old, Happy 40's", a dark time of angst, depression and derailed, wild happiness. Those were the days. Music, dance, songs and hillarious sketches follow.

In a French nightclub, choreographed song and dance routines are performed, rather than a streamlined narrative. They tell the story of Parisian culture and politics from the 1920s—1980s. A disparate, anachronistic series of characters, including an ordinary waiter, a Nazi collaborator, resistance fighters, and 1960s student protestors gather to celebrate and satirize 20th century France's icons, demons, and social changes.

Janie lives to dance and will dance anywhere, even stripping in a burlesque house. Tod Newton, the rich playboy, discovers her there and helps her get a job in a real Broadway musical being directed by Patch. Tod thinks he can get what he wants from Janie, Patch thinks Janie is using her charms rather than talent to get to the top, and Janie thinks Patch is the greatest. Steve, the stage manager, has the Three Stooges helping him manage all the show girls. Fred Astaire and Nelson Eddy make appearances as famous Broadway personalities.