
The Other Woman
Drama
Overview
The real mother of the two children of a respectable university professor is not his wife, but his mistress, the hostess of a Ginza bar the family frequents.
Top Cast


Hideko Takamine
Hideko Takamine
Miho Nishigaki
Hideko Takamine
Miho Nishigaki


Chikage Awashima
Chikage Awashima
Ayako Kouno
Chikage Awashima
Ayako Kouno


Masayuki Mori
Masayuki Mori
Keijiro Kouno
Masayuki Mori
Keijiro Kouno


Tatsuya Nakadai
Tatsuya Nakadai
Minami
Tatsuya Nakadai
Minami


Yuriko Hoshi
Yuriko Hoshi
Hiroko Kouno
Yuriko Hoshi
Hiroko Kouno


Kumi Mizuno
Kumi Mizuno
Ruriko
Kumi Mizuno
Ruriko


Keiko Awaji
Keiko Awaji
Fukuko
Keiko Awaji
Fukuko


Chōko Iida
Chōko Iida
Miho no sobo
Chōko Iida
Miho no sobo


Yatsuko Tan'ami
Yatsuko Tan'ami
Hanae
Yatsuko Tan'ami
Hanae


Chieko Nakakita
Chieko Nakakita
Toshiko Furuya
Chieko Nakakita
Toshiko Furuya
Similar Movies

Ann, a frustrated wife, enters into counseling due to a troubled marriage. Unbeknownst to her, her husband John has begun an affair with her sister. When John’s best friend Graham arrives, his penchant for interviewing women about their sex lives forever changes John and Ann’s rocky marriage.

A young man, Jason, is on his way home and meets two beautiful women, Hope and Alexis. He falls for Hope, but has sex with Alexis. He doesn't know that Alexis' husband has hired a private detective to trail her, and the man reports back to Alexis' husband about her affair with Jason. The husband kills Alexis but the police suspect Jason. He and Hope have to clear his name and find enough evidence to prove the husband is the killer.

This movie revolves around the story of an innocent girl (Nawal) who was married to a rich and possessive man who still wants her back after their divorce; however she meets a hair stylist (Shoukry) and falls in love with him. They get married but her first husband starts torturing Shoukry so he can leave Nawal but he refuses. Eventually, acts of revenge begins from both Nawal and her ex-husband.

Returning home from a shopping trip to a nearby town, bored suburban housewife Laura Jesson is thrown by happenstance into an acquaintance with virtuous doctor Alec Harvey. Their casual friendship soon develops during their weekly visits into something more emotionally fulfilling than either expected, and they must wrestle with the potential havoc their deepening relationship would have on their lives and the lives of those they love.

Kasumi is in the midst of an affair with Ishiyama, one of her husband's clients. When Kasumi and her family visit Ishiyama's villa in Hokkaido, she plans to abandon them to be with Ishiyama. The next morning, her daughter Yuka disappears, which throws Kasumi's life into turmoil. Years later, Yuka remains missing, and Kasumi journeys back to Hokkaido with Utsumi, a terminally-ill former detective, and tries to follow any leads she can.

In a criminal trial at the Berlin district court, in which the accusation of rape is being heard, it is one statement against the other - a seemingly insoluble dilemma, both legally and humanly, that has enormous explosive power. Because beyond the professional and private future of two people, it is about nothing less than the values and prejudices that define us as a society. It is a case of high public attention: the well-known TV presenter Katharina Schlüter and the industrialist Christian Thiede have had a secret affair that has lasted for years, and now they are sitting opposite each other in the courtroom as hostile parties. On the witness stand, Schlüter describes how what was initially consensual sex in Thiede's apartment turned into rape. But are circumstantial evidence sufficient? Experts and witnesses are questioned, and an unexpected turn of events doesn't make it any easier for the court to decide on credibility and truth.

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.















