
Breakdowns of 1938
Documentary · Comedy
Overview
Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.
Top Cast


Eddie Acuff
Eddie Acuff
Dunk Glover (archive footage) (uncredited)
Eddie Acuff
Dunk Glover (archive footage) (uncredited)


Fay Bainter
Fay Bainter
Hannah Parmalee (archive footage) (uncredited)
Fay Bainter
Hannah Parmalee (archive footage) (uncredited)


Katharine Alexander
Katharine Alexander
Mrs. Rogers (archive footage) (uncredited)
Katharine Alexander
Mrs. Rogers (archive footage) (uncredited)


Robert Barrat
Robert Barrat
Harrington (archive footage) (uncredited)
Robert Barrat
Harrington (archive footage) (uncredited)


Ralph Bellamy
Ralph Bellamy
Philip Chester (archive footage) (uncredited)
Ralph Bellamy
Philip Chester (archive footage) (uncredited)


Mel Blanc
Mel Blanc
Porky Pig (voice) (uncredited)
Mel Blanc
Porky Pig (voice) (uncredited)


George Brent
George Brent
Buck Cantrell (archive footage) (uncredited)
George Brent
Buck Cantrell (archive footage) (uncredited)


Sheila Bromley
Sheila Bromley
Gladys Wagner (archive footage) (uncredited)
Sheila Bromley
Gladys Wagner (archive footage) (uncredited)


Claudette Colbert
Claudette Colbert
Tatiana (archive footage) (uncredited)
Claudette Colbert
Tatiana (archive footage) (uncredited)


Walter Connolly
Walter Connolly
Carter Hibbard (archive footage) (uncredited)
Walter Connolly
Carter Hibbard (archive footage) (uncredited)
Similar Movies

"Not a documentary but the the ruins of an attempted documentary." - Grashina Gabelmann Nico’s solo concert in West Berlin 1986. She’s high, giggly, not entirely there but her voice is still haunting and raspy and her presence still the one of a star. We see short clips of an interview held the same year in a hotel – an interview Gaul found somewhere, where he can not remember. We see footage borrowed from Andy Warhol’s estate. Footage of factory parties and screen tests.
Ever since she was a little girl, growing up in the fourth world country of Crapistan, Natasha has devoured all things American. Finally, through the wonders of the Internet, she finds her way to a Bel Air mansion and into the loving arms of a socially inept Internet mogul. With her own "How to Be an American" scrapbook as a guide, every week, Natasha, the upbeat optimist, takes on a new, impossible challenge with wide-eyed enthusiasm.

A clueless man finds a bomb on the street and keeps throwing it to the crowd around him. The sketch then moves with the clueless nerd getting involved in all sorts of troubles until he accidentally gets into a hideout from a terrorist group that will complicate things for him more than he ever hoped.

The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.


















