Andrea Damiani sends his wife Valeria off on a skiing holiday so he can spend time with his demanding mistress, Giulia. Little does he suspect that Valeria is having a rendezvous with a Count she recently met. However, Valeria does not know that 'Count' Giovanni is really just a manager's assistant, namely, Andrea's.

Career gambler Dan Milner agrees to a $50,000 deal to leave the USA for Mexico, only to find himself entangled with fellow guests at a luxurious resort and suspecting that the man who hired him may be the deported crime boss Nick Ferraro aiming to re-enter to the USA.

Monsieur Feydeau has writer's block and he needs a new play, so he takes an opportunity to observe his upper class neighbors of 1900 Paris. There is Monsieur Boniface with hard domineering wife Angelique; also, Monsieur Cotte with beautiful but neglected wife Marcelle. Henri Cotte traces architectural anomalies (mostly "ghost" sounds in the drain pipes) and plans a night at the Hotel Paradiso, which happens to be the chosen romantic rendezvous spot of Marcelle and Monsieur Boniface. One wife, two husbands, a nephew, and the perky Boniface maid, all at this 'by the hour' hotel and consummation of the affair is, to say the least, severely compromised (not the least by a police raid). All of this is under Feydeau's eye, and his play is the 'success fou' of the next season.

Harry and his friend have planned to go out for an afternoon of fun. But first, Harry must figure out how to slip away from his domineering wife with some money to spend...

A beautiful intimate portrayal of Muslim women in a hammam.

A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors -- veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie -- unravel.

When Mandarin Wu's unmarried daughter becomes pregnant by a young Englishman, he seeks vengeance.

This is the second volume of ultra-rare oddities, obscurities and jaw-droppers that may be among the best 85 minutes Something Weird has ever assembled and almost all of them from the original negatives! Titles include The Martians (1962), Tops ‘n Tunes (1964), Swinger (1966), Slumber Party (196?), Chemical Pop (196?), The Assignation (1963), A Christmas Fantasy (196?), Woton’s Wake (1964) and some newly-discovered trailers for live midnight shows.

A call-girl named Yumi and Tetsuro, a married man with a debt to the yakuza, have a violent rendezvous in a cheap love hotel. Years later, haunted by the memory of that night, they reconnect and begin a strange love affair. Determined to finish what they started, they return to the scene of their first macabre passion.

In the dead of night, Donovan drives with his girlfriend, Lucy and several friends to a secret rendezvous in the woods. They believe they are meeting a "healer" who can cure Lucy's cancer, but they grow suspicious when a booby-trap in the road forces them to stop short of their destination. when the driver gets out to investigate he is brutally killed and dragged from the car. Terrified, the remaining friends run for their lives to a deserted cabin, dodging the paramilitary commandos that hunt them as well as the deadly creatures that slaughtered their friends. As the friends die, one by one, they realize too late that Donovan has set them up as bait in exchange for a magic elixir he believes will heal Lucy, but even Donovan is not prepared to pay the price for Lucy's cure.

Fatiya agrees to replace her cousin at a babysitting gig. When she meets the mother of the young boy she is supposed to look after, prejudice and racism cause the afternoon to take a turn.

A drawing of an ancient bathhouse in a French travel book to the Middle East sparks a visual poem, inspired by the Arab poetry tradition of "standing by the ruins". The ambivalence of the five-hundred-year-old image gestures towards enduring capitalist and colonial power dynamics. Pleasure and pain, seduction and domination, archives and ruins, histories of sex, and histories of empire, all commingle in this essay film. What transpires is a web of visible and invisible threads where homosexuality in the Middle East today seems to be enmeshe