A female magician presents several impressive metamorphoses, combining stop-motion animation and camera tricks.

Georges Méliès's first attempt at Cinderella was in 1899. That film was extraordinary then for having multiple scenes and a semblance of a narrative; additionally, the use of dissolves as transitions in it influenced other filmmakers for years to do the same. Méliès was the cinema world's preeminent leader then. By 1912, however, that was no longer the case; frankly, as evidenced by this feature, his style had become dated. Moreover, Méliès had begun to adopt techniques from other filmmakers, such as direct cuts instead of dissolves, and there's even a match on action shot during the slipper trying-on scene.

It's a busy day at the office, and the stenographer is exhausted from trying to keep up with the demands on her skills. Even when she stays late, she cannot catch up with all of the work. But then a man comes into the office to demonstrate the many advantages of the Edison System, his company's new business phonograph.

A young girl living in Salem attracts the attentions of The Puritan. After he's brushed off by the girl, he becomes furious and desiring revenge, declares to a council of elders that the girl and her mother are witches.

Apparently inspired by the antics of Harry Houdini, Slippery Jim opens in the office of a police commissioner to whom a rather cocky villain is presented. The commissioner orders the prisoner to be clapped in irons, but this proves to be easier said than done because our anti-hero - presumably the Slippery Jim of the title - proves to be an expert escapologist.

A Japanese-set magic show. There is a lot of visual trickery on display, ending with an amazing effect using reverse footage and superimposing/projecting images on top of one another.

With a beautifully painted Arabian backdrop and some vivid colours, this is one of the more visually impressive pieces.

Two lovers perform a fandango dance. A jealous quarrel follows and the heart-broken swain decides to end it all. He throws himself from the window of his room, but instead of falling to his death, the anchor of a passing balloon intercepts his flight and he is taken high into the clouds. Laughing at his plight, the moon arouses the anger of the desperate lover and a battle between the two ensues.

As Poe's lover is slowly dying, he struggles to make money to care for her.

The King and his official astronomer are alone in the study viewing the heavenly bodies through the monstrous telescope. They go out on the balcony and the gay old ruler is much absorbed in the phenomenon, and spends some time in studying the stars and planets. The evening has been well spent with the many mysteries which have made such a deep impression upon the King's mind that they are still with him in his dreams. (Moving Picture World synopsis)

A man in a suit and cap stops in front of the display of a bookseller, finds and flips… "Invisible Man" by H. G. Wells! Fascinated by the subject, he buys the book and goes home with the intention to test the invisibility formula described by the author…

This adaptation of Charles Perrault's classic novel briefly presents the story of a poor family who doesn't find means to sustain their home and end up being evicted from it. When the youngest of the seven children overhears his parents conversation about this sad situation, he cries for a while. But barely everyone knew, that he was about to come up with a thoughtful idea that could restore their peace and bring back their home.