In the window of the house, where some say the sweetness dwells, is reflected, every night, a delicious story.

After traveling hundreds of miles, a woman must wait another twenty-four hours before she can get an abortion.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

Jack is the fastidious manager of a local supermarket. The harmless but disruptive actions of his customers frequently give him headaches, which he remedies by holding a can of frozen juice against his forehead. At home, however, Jack is consistently kind, loving, and patient with his wife and daughter. One day the child brings home a stray dog, and his life is turned upside down.

In May 1828, a feral boy aged around 16 was found in Nuremberg. Kaspar Hauser, as he is called, can only speak a few indistinct words and knows nothing about his origins or family. The film depicts the - presumed - circumstances under which Hauser was held captive in complete isolation in a hiding place from infancy onwards. From this emerges the picture of an intrigue involving high circles of aristocratic society. Five years after his liberation, in December 1833, Kaspar Hauser died as a result of a stab wound inflicted by an unknown perpetrator.

Ben is an art college student in London, whose imagination runs wild as he works the late-night shift at the local supermarket. What do he and his colleagues do to pass the long, endless hours of the night?

Luke Wilson plays a good-hearted ex-con who gets a job in a retirement hotel. Three elderly residents help him win back his girlfriend as he lends them a hand in fighting hotel corruption.

In August of 1949, Life Magazine ran a banner headline that begged the question: "Jackson Pollock: Is he the greatest living painter in the United States?" The film is a look back into the life of an extraordinary man, a man who has fittingly been called "an artist dedicated to concealment, a celebrity who nobody knew." As he struggled with self-doubt, engaging in a lonely tug-of-war between needing to express himself and wanting to shut the world out, Pollock began a downward spiral.

Jeff heads home to rest before cooking for an important person. When he is lured to a pool by an amorous mermaid, he has to choose between satisfying his libido or staying focused on the future.

Why won't the light turn off?

The film takes place away from the glittering strip of mega casinos, but the greed of Sin City is just as pervasive on the desert outskirts. This is where a happy family learns of a forgotten fortune that may be buried beneath their home. Their lives are turned upside down. A sophisticated study of just how far people are able and willing to go if faced with the tempting prospect of easily acquired wealth.

No description available.