Finally, Viktor becomes a fireman, while Anja still do not have the great success of the advertising agency. Fortunately, they have each other and everything is bright as Anja gets a great opportunity at the office while being pregnant. Then Viktor just figure out how to be soft father, understanding man and tough firefighter at once. But how hard can it be?

Anja is a beautiful and very well proportioned high school senior... and still a virgin. She insists that she wants her first time to be with a guy, who knows what it's about. Her rich (and arrogant, pretentious and obnoxious) boyfriend Peter serves the purpose, and he's more than willing. In fact, he's pushing forward as much as he can, but Victor, a freshman who has a serious crush on Anja, has other plans. Her first time should definitely not be with this buffoon, and he's ready to take it VERY far!

Highschool sweethearts Anja and Viktor find themselves in a lesser state of love when Anja graduates and gets a job in the city.

The fifth Anja and Viktor film. The couple are short of money. They live with their young daughter in their friends' dilapidated rehearsal space in Sydhavnen, but when the zealous municipal official discovers that they are using the rehearsal space as a residence, and they are now facing eviction unless they can secure funds for an apartment, the family finds itself in a challenging situation.

Bernard, an executive for a big company, tries to get home in time for his wedding but is caught in the middle of a mass suicide. He saves a sect member who then follows him like a puppy, and is chased by the sect leaders, two over-the-top crooks with bloated egos and a craving for money.

Seven men, after getting acquainted in prison and finding out that all of their lives have been affected by the same con man, decide to raid the fraudster's life savings.

The tranquility of a remote Armenian mountain community is disrupted when a group of shepherds affected by the pangs of an evening hunger, decide to butcher and barbecue the sheep of another's that have strayed into their herd. An official inquiry by the city police complicates matters, and questions of law, morality and community only seem to lead to further entanglements.

If you get the chance to fulfill your lifelong dream, you shouldn't hesitate for long and must seize the opportunity. That's how idealistic midwife Irene Lieblich sees it. Her big dream is to open her own birth center. She has already found the perfect place for her project: a beautifully situated property on the outskirts of a picturesque Bavarian town. It all seems like a sure thing - the application has been submitted to the local council, the building finance is secured thanks to an unexpected inheritance and Irene has already rented a small terraced house for herself and her nine-year-old daughter Katja. But then, to Irene's horror, another interested party turns up for the property: funeral director Siegfried Schroff. He also wants to fulfill his dream of opening a private cemetery in this rural idyll.

a film by Tony Y. Reyes.

Swinging playboy Grand Duke Nicholas Goduno, a direct descendent of the Romanov family who were overthrown in the Russian Revolution of 1917, learns that his family's crown jewels will be exhibited at a London museum and plots to steal them. To this end, he gathers a crew of beautiful but dangerous women, led by Bridget Rafferty, to assist in his plot against Popov, the Soviet functionary in charge of the exhibit.

Jacques and Martine, an ordinary bourgeois couple, invite to dinner a friend whom they have not seen the last ten years. Since then he has become a media star and everything has to go just right at dinner.

Jonathan Miller set his well-known production of The Mikado, staged for the English National Opera, in a British seaside resort of the 1920s. The result, complete with a chorus of gentlemen of Japan as cartoon-like British peers, emphatically underscores the Englishness of the satire. The occasional non sequiturs, like a bunch of gentry dressed for Ascot and singing in Japanese, are loonily fun, and no more absurd than the fantasyland Japan that Gilbert and Sullivan invented. The time frame, though, seems little more than an excuse for a smart black-and-white production design.