A Mouse's Tale

A chef comes into the kitchen and throws a lot of rags on the floor: he then casts a spell over them, and immediately they take the form of human beings, and dance a wild saraband around the place. After performing many unique tricks they disappear into space, and are replaced by a group of knives and forks, pans, kettles and spoons. (Moving Picture World)

The first scene presents before the astonished eyes of the spectators a solid piece of marble, which the minute it is placed on a table seems to take life, and one can follow a snake-like line branding on the polished face of the stone the name of the house of Pathé Frères. As soon as this stone has been engraved, as by magic, a handsome young lady appears with a huge lump of clay covered with a cloth. As soon as the cloth is removed from the soft mass it starts whirling and turning as if stricken mad, and one is asking one's self what all the contentions are going to lead to, when the vague shape of an animal not yet discernible seems to appear, and before one has time to make one's mind as to the category of brutes to which it belongs one sees the form of a remarkably well made orang-utan modelled out of the clay, who calmly smokes his pipe. Then the statue is removed by the same winning young lady and another covered block of the same substance is carried forward.

Female magicians turn people into origami roosters and vice versa.

The mole is very disappointed in his friends. The rabbit, hedgehog, and mouse have eaten all the cherries he picked for himself. He always shared his blueberries with them. He disguises himself as a poor old man and asks his three friends one after the other for a small donation. But they send him away empty-handed. When they realize that it is the mole, they feel ashamed and come up with a plan.

No description available.

A young woman becomes the eighth wife of the wealthy Bluebeard, whose first seven wives have died under mysterious circumstances.

The background of this picture represents a scene along the beautiful river Seine in Paris. A gentleman enters, and taking a blackboard from the side of the picture, he draws on it a sketch of a novelist. Then, standing in the centre, he causes the living features of his sketch to appear in the place of his own, which is utterly devoid of whiskers. The change is made so mysteriously that the eye cannot notice it until one sees quite another person in the place of the first. Again another sketch is shown on the board, this one being that of a miser; then an English cockney; a comic character; a French policeman, and last of all, the grinning visage of Mephistopheles. It is almost impossible to give this film a more definite description; suffice it to say that it is something entirely new in motion pictures and is sure to please. (Méliès Catalog)

No description available.

A magician performs tricks with a marvelous wreath.

Poor Uncle Josh is trying to get to sleep, but being constantly bedevilled by a fellow in red long underwear with horns. A short early trick editing film using a stationary camera much more valuable for its historical, rather than entertainment value.

The picture opens with the Sultan lying down to rest on his luxurious cushioned couch. The scene changes to the grounds around the palace.

A man misses his train due to his clothes turning into other types of clothes.