Blood of Redemption

One part vigilante, one part criminal kingpin, Red Hood begins cleaning up Gotham with the efficiency of Batman, but without following the same ethical code.

A historical drama focusing on Manuel L. Quezon years after the Philippine Revolution during the American occupation. When his fight for independence from the United States is put to the test, Quezon finds himself playing the brutal game of politics to outmaneuver his rivals — including Leonard Wood, Sergio Osmeña, and Joven Hernando. In Quezon’s relentless quest for power, he ultimately faces off with Emilio Aguinaldo in the 1935 presidential elections, using charm and favoritism as both weapons and currency, in a campaign that ultimately changes the face of Philippine politics and history.

Can a sinful man change and find peace? It's unlikely in gang-plagued Japan. Jokichi of Mikogami, a drifter (and hired sword), goes straight after protecting a woman in distress: they marry, have a son, and Jokichi pursues his father's craft. After three years, the gangs he embarrassed when he saved his wife find the family and leave Jokichi in grief, vowing revenge. To parry his terrible swift sword, rival gangs join forces, hiring a prostitute to pose as a woman needing help and breaking the code of honor to double cross the drifter. He finds unlikely allies: a thief who aids him for fun and a one-eyed swordsman who may be Jokichi's equal in skill and honor.

After witnessing his wife's illicit affair, a humiliated businessman flees deep into the countryside where he encounters a reclusive war veteran. Together, they strike a maniacal pact to take revenge on the man who cucked him.

A silent man with a strange and morbid moral is engaging in a hunt for hunters without any concessions.

Nicky Larson is tasked to recover the perfume of Cupid, a perfume that would make anyone who uses it irresistible.

Madhavan Mahadevan, who comes into the city from a village to see off his sister-in-law and her daughter after the death of his elder brother, an upright Customs Officer (KB Ganesh Kumar). While running around to claim the insurance money, he comes to know that his brother was actually murdered by the underworld don Irumbanakkal John (Joy Mathew).

The spirit of an executed murderer enters the body of a physician, and forces him to do its bidding--namely, murder.

When a stunt man dies in Miami, his uncle, a New York mob boss, sends a hit man to tail the stunt coordinator, whom the boss wants dead. The hit man, Eric O'Bryne, gets close to his mark's daughter, and through her he asks her dad to teach him to do stunts. While waiting for the word to kill this mentor, Eric discovers the joy of stunt work and of being part of a family. Meanwhile, several people are looking for the dead man's briefcase of money and a bag of illegal drugs that he stole from an undercover FBI agent now desperate to get the borrowed drugs back to the bureau. The stunt coordinator says that 'we dance in the shadows of death.' Can Eric step out into the sun?

Britt Reid, the heir to the largest newspaper fortune in Los Angeles, is a spoiled playboy who has been, thus far, happy to lead an aimless life. After his father dies, Britt meets Kato, a resourceful company employee. Realizing that they have the talent and resources to make something of their lives, Britt and Kato join forces as costumed crime-fighters to bring down the city's most-powerful criminal, Chudnofsky.

Delivery boy Chung rings an order to a local martial arts school. He shows that he too is a kung fu student when he punches a bag and also kicks out the instructor for his money. Chung has a tough life. His father constantly nags him to work hard. One day, his is heckled by Chien-Pe, a disabled thug who runs a gang. Chung fights and beats them up and as a result, he is fired from his job. Chien turns to his boss, Tai Chung, to get Chung.

Matt Miller has spent his entire life living in the shadows of his brother. He believes if his brother were to disappear then so would all his problems. So one deadly night Matt decides to take matters into his own hands.