

Top Cast


Gina Colany
Gina Colany
Gina Colany


Cindy Carrera
Cindy Carrera
Cindy Carrera


Marion Quest
Marion Quest
Marion Quest


Zenza Raggi
Zenza Raggi
Zenza Raggi


Thomas Fritz
Thomas Fritz
Thomas Fritz
Melina
Melina
Melina
Susanne Nast
Susanne Nast
Susanne Nast
Armin Beck
Armin Beck
Armin Beck


Alex Gold
Alex Gold
Alex Gold
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Two young couples, Lisa and Ryan and Jack and Cindy, head for the hills for a long, intimate weekend at a remote country house. Things are looking steamy despite the distraction of Ryan's deadline and his general inhibitions. But soon a fifth person arrives at the house, saying she had arranged to meet a man there. He arrives with a mysterious case, a raging temper, and suspicions. Could he be the escaped convict that they heard about on the radio news report?

Quentin and Antoine are 18-year-old twins. Without their father knowing it, they set out on a voyage to Spain, where their mother's funeral is to take place. The two brothers barely knew their mother. Their hitchhiking journey is full of encounters, arguments, reconciliations, and experiences. Their time on the road also reveals their differences, the splits in their attractions, and the confusion of their feelings.

Frau Oberst has 2 young nieces who are very open with their sexuality. She hopes to find adequate lovers for her nieces and along the way finds herself in some precarious sexual situations. After a series of sexual encounters between just about everyone at the estate, the Countess drops by for a party where the nieces announce their wedding intentions.

Lena, aged twenty, wants to know all she can about life and reality. She collects information on everyone and everything, storing her findings in an enormous archive. She experiments with relationships, political activism, and meditation. Meanwhile, the actors, director and crew are shown in a humorous parallel plot about the making of the film and their reactions to the story and each other. Nudity, explicit sex, and controversial politics kept this film from being shown in the US while its seizure by Customs was appealed.

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.















