Csendkút is a historical film drama made for the fiftieth anniversary of the 1956 revolution and freedom struggle and dedicated to the poet Attila Gérecz, the 1956 revolution and freedom struggle commemorating his martyrdom.

In 1956 Stalinstadt, East Germany, during the Hungarian uprising against Soviets is taking place, local teenagers perform a seemingly harmless act that causes unexpected consequences.

A documentary on the 1956 Olympic semifinal water polo match between Hungary and Russia. Held in Australia, the match occurred as Russian forces were in Budapest, stomping out a popular revolt.

When the Hungarian Revolution against the Soviets collapses in 1956, two young revolutionaries have to make an impossible decision.

Some of the most symbolic moments of the 1956 Revolution in Hungary were the tooth-and-nail battles fought by the so-called 'Pest Lads' who dared to defy odds by taking on the panzers of one of the world's superpowers. The story begins on October 23rd, 1956 and ends on November 4th of the same year. Juli is Totya's girlfriend but also loves Gábor. Their love triangle will have to endure the trials and tribulations of these stirring times. A group of boys living in the outskirts of the capital are playing football in abandoned lot when Juli, a ticket inspector, brings news of protests breaking out in the city. Only Gábor accompanies her into town and together they become part of this historical event. At dawn, when the boys too come under fire from Soviet forces, they decide to join in the fight.

In 1957 Budapest, one year following the failure of the Hungarian Revolution, a 12-year-old Jewish boy whose mother has raised him to believe that his father will return from the camps has his hopes shattered when a brutish stranger appears on the doorstep to take his family back.

A drama set in 1956, during the unsuccessful Hungarian uprising against the Russians.

A sociopolitical historical documentary-thriller about the international decline of communism and the 1956 Hungarian Revolution.

Andras Pulac, a young pianist, refuses to perform a concert in honor of a senior Soviet leader, as a sign of rebellion against the 1956 invasion of Hungary. His refusal, although he does not know it, harms the organizers of a demonstration against the communist cruelty, since his concert had been chosen like slogan. When Pulac finds out, he agrees to give the concert. Andras and Maria Kondor, the daughter of a communist journalist, are in love and decide to get married before the concert. Meanwhile, communist repression in the streets provokes the anger of the Hungarian people and gives rise to a real revolution.

In the window of the house, where some say the sweetness dwells, is reflected, every night, a delicious story.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

Fields of France, during the First World War. A group of young soldiers, united by the indiscriminate brutality of battle, fights to maintain their humanity in an endless cycle of combat and death.