

Animation · Comedy · Drama
Overview
The odd biography of Harvie Krumpet, a man who has Tourette's Syndrome, chronic bad luck, menial jobs, nudist tendencies, and a book of "fakts" hung around his neck - but still optimistically lives own way and enjoys the small things life has to offer.
Top Cast


Geoffrey Rush
Geoffrey Rush
Narrator (voice)
Geoffrey Rush
Narrator (voice)


Kamahl
Kamahl
Statue of Horace (voice)
Kamahl
Statue of Horace (voice)


John Flaus
John Flaus
Harvie (voice)
John Flaus
Harvie (voice)
Julie Forsyth
Julie Forsyth
Baby Harvie / Lilliana / Church Singer (voice)
Julie Forsyth
Baby Harvie / Lilliana / Church Singer (voice)
Similar Movies

Mother Earth practices on "The Creation" of the first human beings, in this mythical act some faults and disconnections are revealed when they launch into life in coexistence with themselves and with nature. An animation in Stop Motion made entirely with mud, a technique that challenges the animation process due to the quick drying of the mud that requires an animation instantly, generating unique and unrepeatable shots.

Legacy takes the audience on a rapid-fire journey through the evolution of the world, starting with a cosmic bang, evolving through billions of years of plants, animals and the creation of natural resources, ending with man and his bounty – “sitting on his world contemplating his coconut”. Preserved by the Academy Film Archive in 2012.

When an old castle needs repairs, it's time to call Bob the Builder! Unfortunately a case of mistaken identity puts Bob's father in charge, resulting in one disaster after another! Meanwhile, tales of Camelot inspire Bob's noble crew of machines - Sir Lift-A-Sot, Sir Roll-A-Lot and Lady Mix-A-Lot - in their quest to get the job done. And Sir Spud-A-Lot finds a suit of armor and a fiery steed almost perfect for jousting! Back at the castle, Bob's father is a bit of a royal pain, locking himself and Bob in the dungeon and then finding himself mysteriously trapped in a maze! Finally, a medieval pageant celebrates the grand opening of the castle and a great father-son relationship.

For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.

In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.
















