An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.

Apu, now a jobless ex-student dreaming vaguely of a future as a writer, is invited to join an old college friend on a trip up-country to a village wedding.

Apu and his family have moved away from the country to live in the bustling holy city of Benares. As he progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother.

A man who loves games and theatre invites his wife's lover to meet, setting up a battle of wits with potentially deadly results.

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.

A bored insurance salesman quits his job to go into politics. He first starts preaching about how man is greater than he thinks and that man can live forever. He ends up forming his own political party, "The Eternal Man" party. He begins to be referred to as "God". Then he starts having doubts about the eternalness of man.

The Big Show, the only feature-length motion picture produced by the Miller Brothers, is a behind-the-scenes melodrama set within their show. The story: Bill, a war veteran who has been defrauded by his brother, rescues Ruth, the elephant girl, and joins the company. Secretly engaged to Bill’s “bad brother” Norman—allegedly an oil millionaire—Ruth rebuffs her rescuer’s affection. Her elephant, however, knows a villain when he smells one and eventually gives Norman his just deserts. Preserved by the Academy Film Archive in partnership with the National Film Preservation Foundation New Zealand Project in 2012.

Her First Kiss, where the glamorous Ethel Teare trades her fancy gowns for the rough attire of Minnie Spuds, the gawky farm girl who Chester tries to swindle. Whether dangling from a ladder, teetering over a cliff in a horse-and-buggy, or wielding a mop, Minnie may be from the sticks but never misses a beat. Preserved by the Academy Film Archive, New Zealand Project, in partnership with Twentieth Century Fox Film Corporation in 2013.

“After wishing for years to be given the opportunity of filming some of the more “mystical” occupations of our Times – which the average imagination turns into “bogeyman”… viz: Policemen, Doctors, Soldiers, Politicians, etc. – I was at last permitted to ride in a Pittsburgh police car, camera in hand” - Stan Brakhage. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2011.

When Edward Creighton leads the construction of the Western Union to unite East with West, he hires a Western reformed outlaw and a tenderfoot Eastern surveyor. Preserved by the Academy Film Archive in partnership with Twentieth Century Fox Film Corporation in 2000.

Farmer Frank and his ward hunt brother Jesse's killers, the back-shooting Fords.

Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force. Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold. Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.