Spoof of Snow White and the Seven Dwarfs (1937) with an all-black cartoon cast. One of the “Censored 11” banned from TV syndication by United Artists in 1968 for racist stereotyping.

Piggy and Fluffy have adventures on a riverboat and Uncle Tom is chased by skeletons promising to take him to Hallelujah Land.

Warner Bros. cartoon parody of Uncle Tom's Cabin. One of the “Censored 11” banned from TV syndication by United Artists in 1968 for racist stereotyping.

Bugs Bunny heckles a black hunter and escapes from a bear. One of the “Censored 11” banned from TV syndication by United Artists in 1968 for racist stereotyping.

A little black boy is hired to kill a cat, but the feline escapes and proceeds to play tricks on the kid, pretending he's a ghost come back to haunt his "killer". One of the “Censored 11” banned from TV syndication by United Artists in 1968 for racist stereotyping.

The Lord sees that the stock value of "Pair-o-dice" is dropping on the exchange so he dispatches a slow-witted and slow-talking angel to sinful Harlem to recruit new customers. When this fails, God finds success sending a group of musical angels with a little more swing in their style, so much so that even the Devil wants to join up! One of the “Censored 11” banned from TV syndication by United Artists in 1968 for racist stereotyping.

The stories of "Goldilocks" and "Little Red Riding Hood" collide with the world of jazz, resulting in three jiving bears and a jitterbugging Big Bad Wolf. One of the “Censored 11” banned from TV syndication by United Artists in 1968 for racist stereotyping.

Starts out with a tribe of African cannibals imitating Native Americans. After this, they do the new Warner Bros. Looney Tunes theme "The Merry-Go-Round Broke Down." Then a sloppy stuttering salesman knocks on their doors, and they bring him in and put him in a pot of boiling water. The queen of the tribe wants to see the man. She falls in love with him. They get married, but when the salesman sees he has to kiss the bride, he decides he'd be better off being dinner for a tribe of hungry cannibals. One of the “Censored 11” banned from TV syndication by United Artists in 1968 for racist stereotyping.

A travelogue spotlights the tropical island of Pingo Pongo, showing the unusual flora and fauna and the lives of the happy natives. One of the “Censored 11” banned from TV syndication by United Artists in 1968 for racist stereotyping.

A jazz cartoon involving a "Fats Waller"-like cat who leaves the "Uncle Tomcat Mission" for the local jazz club. One of the “Censored 11” banned from TV syndication by United Artists in 1968 for racist stereotyping.

While taking a walk, Chico Bento, a boor living in the backwoods of Brazil, tells his friend Zé Lelé and girlfriend Rosinha some fantastic stories happened to him: he'd been turned into a frog, been attacked by ants and by an animal resembling a jaguar, and some other doubtful cases.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.