Aida is an Egyptian musical produced in 1942, scripted and directed by Ahmed Badrakhan and the story of Abdul Warth Asr about the opera Aida participated in singing Fathia Ahmed, Abdel Ghani Sayed. Represented by: Umm Kalthoum, Ibrahim Hamouda, Suleiman Najib, Abbas Fares.

Othman Abdelbaset suffers from the intervention of his mother-in-law in his life with his wife. He always worries about his assistants in the pancake shop he runs until his mother-in-law succeeds in cutting him off with his wife and turning his life into hell. He thinks of committing suicide and introduces his idea to his aides. The three go to sea to carry out the idea, but one of the sailors sees them leading the boat trip to one of the islands and they are on an adventure inside the Prince of the Island where they fight the bad guys who want to take over the island rule

Ismail wants to grab his wife's Turkish money, claiming that he has the children of a former wife who died, and that he can not spend on them, but Ismail does not realize that this little lie has left him in an endless series of lies, Of each lie with a greater lie, and every time the wife deals with him in good faith.

The retelling of June 6, 1944, from the perspectives of the Germans, US, British, Canadians, and the Free French. Marshall Erwin Rommel, touring the defenses being established as part of the Reich's Atlantic Wall, notes to his officers that when the Allied invasion comes they must be stopped on the beach. "For the Allies as well as the Germans, it will be the longest day"

The film revolves around a couple who were joined by love but the intense quarrels between the husband and wife until they reached the judiciary to separate them, but the ruling was in favor of the husband and entered the wife in the rule of obedience to her husband means the house of obedience and dream here the husband to discipline his wife

A gang of thieves joined the band of thieves, but proved their failure. The gang put them in the shovels and threw them on the road. They decided after this incident to form a gang of their own, to begin their work in the shack of the rams in Luxor. The stylist (Estefan Rusti) swims the character of Count San Stefano, a biker tourist gambler. The monologist (Ismail Yassin) becomes Hassan Shata, a merchant of false antiques. The watchmaker (Hassan Fayek) is Dr. Abdul Shaf, a specialist in diseases of rheumatism, liver and stomach. The banker (Sharafnat) becomes Khan, an Indian man who specializes in reading the horoscope, and later joined by Samia Hanem the dancer (Samia Jamal).

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

A sensitive girl is sent to an all-girls boarding school and develops a romantic attachment to one of her teachers.

A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.

Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

Else Riedel (Lissy Arna), locked out by her authoritarian father, seeks refuge with her boyfriend Hans. Complications threaten when Hans's roommate Max falls in love with her, but the situation is resolved: the three remain friends, and decide to form a music hall act. They want to ascend, but how? A way out beckons when a theatrical agent named Nevin enters Else’s life. He is played by Hubert von Meyerinck as a slick and oily villain, who oozes refinement; his experience behind bars is waved away with a silk scarf. He is cunning to the point of perfidiousness, but is not completely unsympathetic. He also embodies a new type - the scrounger.