
Royal News
Comedy · Romance · TV Movie
Overview
A princess falls in love with a paparazzo who is using her to become famous.
Top Cast


Karoline Herfurth
Karoline Herfurth
Prinzessin Sophia
Karoline Herfurth
Prinzessin Sophia


Arne Lenk
Arne Lenk
Chris Benthaus
Arne Lenk
Chris Benthaus


Tim Sander
Tim Sander
Robert Lux
Tim Sander
Robert Lux


Karl Kranzkowski
Karl Kranzkowski
König Hugo
Karl Kranzkowski
König Hugo


Franziska Schlattner
Franziska Schlattner
Bettina 'Betty'
Franziska Schlattner
Bettina 'Betty'
Conny Herford
Conny Herford
Karl Behrend
Conny Herford
Karl Behrend


Michael Brandner
Michael Brandner
Herr Kunze
Michael Brandner
Herr Kunze


Andrea Bürgin
Andrea Bürgin
Staatssekretärin
Andrea Bürgin
Staatssekretärin
Anett Heilfort
Anett Heilfort
Renate Gregarn
Anett Heilfort
Renate Gregarn
Similar Movies

Bavarian allotment tyrant Gerti has had enough. Her once sweet little granddaughter Merci has turned into a pubescent monster. Now Merci is also falling in love with Berlin hipster beau Simon, of all people, who has recently started chilling out in the garden next door. Gerti now fights the troublemaker in her allotment garden colony with all means at her disposal.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

While Suzaki Saika (Ashida Mana) is hospitalised for poor health, her father, Tamotsu (Totsugi Shigeyuki) feels torn that he has to leave here and go on a business trip. A portrait of Saika’s late mother is placed beside her bed. Her mother had died in exchange for bringing her into this world. Tamotsu puts a paper with his mobile phone number written on it inside an amulet and hands it to Saika. He asks the nurse Tokunaga Maki (Minamisawa Nao) to keep an eye on Saika, and leaves for his trip. One night, a young girl calls out to a lonely Saika who cannot get to sleep. A long-haired girl in a wheelchair in the old wing befriends Saika and plays with her everyday. However, by the time Saika realises it, she has awaken from her sleep. Was that a dream? When she talks about the girl in the wheelchair, Maki’s expression freezes. What happened at this hospital?

Gabrielle is writing an illustrated guide book on sex called 'How To Do It.' At a book signing she meets Saul, an established male writer who is straight. She both loves and hates his work which has seeped into her secular Jewish life from childhood. The more Gabrielle tells him about her book the more he wants to know about her life; the relationship with her younger girlfriend Olivia and her determination to "stop using my penis in sex". As her book takes form, is Saul jealous or desirous? Their friendship is tested as is Gabrielle's relationship with Olivia. The film muses on how we write, how we draw. And the nature of "story" and what it makes us do.














