At underground film of the 1st Popular Festival of Catalan Poetry filmed in the Proce Theater in Barcelona on May 25, 1970, in solidarity with political prisoners. The participating poets were: Agustí Bartra, Joan Oliver (Pere IV), Salvador Espriu, Joan Brossa, Francesc Vallverdú and Gabriel Ferrater.

David Olusoga opens secret government files to show how the Windrush scandal and the ‘hostile environment’ for black British immigrants has been 70 years in the making.

In a behind-the-scenes look at the biggest political upset in recent history, Mark Halperin, John Heilemann and Mark McKinnon offer unprecedented access and never-before-seen footage of candidate Trump, from the primaries through the debates to the dawning realization that the controversial businessman will become the 45th President of the United States.

A documentary based on the book Umbanda no Brasil by the scholar Mata e Silva, who is interviewed by the director. The book studies the Brazilian religion known as spiritism, a syncretism of African beliefs and magical rites, Indian beliefs and images, and Catholic symbols.

Dramatization of the time around the first Danish Social Democrats and the Battle of Fælleden. A social blockbuster produced for AOF.

The plot of the film unfolds in the ancient monastery of Dokhiar on the west coast of Mount Athos, on the Aegean peninsula. This peninsula is given to the exclusive use of the monks of Eastern Christianity. Images of nature are woven into a virtually uninterrupted series of work and prayer, lining up in the rhythmic interrelation of man and nature. The central figure of the film was the monastery’s elder, Hegumen Gregory, whose long-term experience of spiritual nourishment rewarded him with a deep understanding of the human soul and her desire to return to the state characteristic of Adam’s human nature before the fall.

A short documentary about the October 14 1979 March For Lesbian And Gay Rights in Washington D.C.

Follows the waves of literary, political, and cultural history as charted by the The New York Review of Books, America’s leading journal of ideas for over 50 years. Provocative, idiosyncratic and incendiary, the film weaves rarely seen archival material, contributor interviews, excerpts from writings by such icons as James Baldwin, Gore Vidal, and Joan Didion along with original verité footage filmed in the Review’s West Village offices.

Wars of the future will be fought over water as they are over oil today, as the source of human survival enters the global marketplace and political arena. Corporate giants, private investors, and corrupt governments vie for control of our dwindling supply, prompting protests, lawsuits, and revolutions from citizens fighting for the right to survive.

SOUND OF THE SOUL is a compelling portrait of an Arab country where Muslims, Christians, and Jews have lived together in relative peace for centuries. Beautifully photographed during the Fez Festival of World Sacred Music, the film presents unforgettable performances from groups from Morocco, Ireland, Russia, Afghanistan, Mauritania, the USA, Portugal and France, which carry viewers into what the film's Moroccan sufi guide calls "the hearing of the heart": the essential Oneness at the core of all religions and faiths.

At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.

This is the story of an ordinary man transformed by history. A simple baker from Besançon who became a political symbol of resistance. That of a France that knows how much it needs others to grow. Of working classes rejecting the siren calls of populism. He says: "I was nothing and I became a monster" to express the vertigo of his transformation. And so the baker entered politics, visited the United States in the footsteps of Martin Luther King, brought aid to the Ukrainians, and ran for legislative elections. Fearless. Fighting with all his heart. It is this inspiring, touching, and funny human epic that Pedro da Fonseca's camera followed closely, capturing his doubts, his hesitations, and his emotions.