Three war-torn strangers posing as a family flee Sri Lanka’s civil war to start over in a troubled Paris suburb, but their past traumas resurface as they struggle to survive in their new environment.

Two friends, Manoj (Gihan De Chickera), a bartender, and Stanley (Dharmapriya Dias), a fruit vendor, wish to immigrate to the West to seek their fortune, but have difficulties getting their visa applications approved. They come across an application to a handball tournament in Bavaria, and not even knowing what the game is, they submit themselves and a group of friends as the "Sri Lanka National Handball Team". For appearance's sake, they begin minimal training and then seek travel visas from the German Embassy. Their plans to simply escape into the West upon arrival in Germany are thwarted by the quick appearance of the tournament organizers and an arena of fans eager to see the prowess of the Sri Lanka National Handball Team.

A little girl is told by her parents that she is adopted. Determined to find her birth mother, her family eventually agrees to take her to Sri Lanka, where they encounter the militant group known as the Tamil Tigers.

Rajini, a Sri Lankan Tamil girl, narrates the horrific tale of why she had to leave her homeland and become a refugee in India.

Fifty-six-year-old Perianayaki contends with the difficulties of fitting into her new home, especially at the local supermarket where she works. Eye-opening and brimming with compassion, the latest film from director Bala Murali Shingade is a slice-of-life character study that provokes questions about multiculturalism and our assumptions about the people we encounter in daily life.

A father and his daughter came to India as refugees post-war in their country. Few good hands help them to rebuild their lifestyle.

A home-guard serviceman assigned the task of standing watch over a barren no-man's-land begins to experience an existential crisis after years of lonely service.

Heena Hoyana Samanallu (Dreaming Butterflies) (Sinhalese: හීන හොයන සමනල්ලු) is a 2017 Sri Lankan Sinhala family drama film directed by Rohan Perera and produced by Sunil T Fernando for Sunil T Films. Shehan, who belongs to a higher middle class family is the only child of Madhavi (Dilhani Ekanayake) and Adithya (Saumya Liyanage). Their lives changed unexpectedly when Shehan is diagnosed with leukemia.

Vaishnavee (The Goddess), (Sinhalese: වෛෂ්ණාවී) is a 2018 Sri Lankan Sinhala drama thriller film directed by veteran director Sumitra Peries and produced by Mano Nanayakkara. 1930’s, Sri Lanka. Partly a compelling domestic drama, and a demonic love story, the narrative follows a puppet-maker who’s set to be married to a young girl. Unfortunately, the girl elopes with her secret lover. Devastated, the grieving puppet-maker ends up carving a puppet in her likeness, which eventually comes to life, setting in motion a fantastical chain of events.

(Eka Dawasaka Api / එක දවසක අපි) The day Parami appeared on Vimukthi’s eyes he found out that she is the one who he needed to his life. Later, a day with a tension mood these two soul mates get into a train with tears on their faces to ride their last train journey together. But Vimukthi’s family is strongly against to approve Parami as their daughter in law. The reason for disapproving Parami is her cast and status.

Jeevan, Kumar and Salim do odd jobs and share an apartment in the Gulf. When Jeevan comes across Thamara, who is running away from some criminals, he decides to bring her home.

After getting through the O/L Examination with outstanding results, Anuththara with his friends eagerly look forward to experience their final years in school as seniors in the A/L class. They befriend Ahinsa and the other new girls who join their school. Ahinsa draws everyone’s attention for her smartness as well as her cheerful yet mysterious behaviour. Her irregular school attendance and the rumours circulating about her, make the others suspect that there’s a hidden story behind her cheerfulness.