
The Burning Snail
Drama
Overview
In this grim German drama, a troubled 14-year-old boy's pent-up rage and frustration leads him to involvement with a bad crowd and gets him caught up in an inescapable spiral of increasingly self-destructive and deadly violence.
Top Cast


Barbara Auer
Barbara Auer
Sarah
Barbara Auer
Sarah


Sebastian Koch
Sebastian Koch
Gerd
Sebastian Koch
Gerd
Maximilian Haas
Maximilian Haas
Peter
Maximilian Haas
Peter


Tobias Nath
Tobias Nath
Axel
Tobias Nath
Axel
Michael Huml
Michael Huml
Matthias
Michael Huml
Matthias
Wasja Stettner
Wasja Stettner
Christian
Wasja Stettner
Christian
Jonas Kipp
Jonas Kipp
Detlev
Jonas Kipp
Detlev
Florian Stenschke
Florian Stenschke
Joachim
Florian Stenschke
Joachim
Christiane Quast
Christiane Quast
Gitte
Christiane Quast
Gitte
Klaus Lochthove
Klaus Lochthove
PE teacher
Klaus Lochthove
PE teacher
Similar Movies

29-year-old Eban has retreated home to his parent's house in Seaside Oregon after the dissolution of his teaching job in Seattle. There he courts 15-year-old Charlie and eventually the two start a sexual relationship. As the age of consent in Oregon is 18 years and given the age difference, the adults in this drama take a dim view of this development.

Lucinda Price is sent to a reform academy under the assumption that she has killed a boy. There, she meets two mysterious boys, Cam and Daniel, to whom she feels drawn to both. But as the love triangle unfurls, it is Daniel that Luce cannot keep herself away from, and things begin to take a darker turn when she finds out his true identity.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Taryn finds herself gaining much-desired popularity when the charismatic new girl at school claims her as a “breath sister," teaching Taryn about the Choking Game. Hiding it from her ever-present mother, best friend, and teachers, Taryn sees choking as a way to build self-control and grab an easy high. But, as the stakes are raised through each subsequent ‘flight’, Taryn has no idea that she is actually putting her life in extreme danger.


















