
Teresa, the Woman Who Loves Men
Overview
Teresa Orlowski plays herself: director of a German porn empire. For her photo shoots, she looks for men capable of recruiting new female models. Claude and his friend, loving nothing but flirting, read the ad. Claude tries his luck and Teresa discovers his excellent skills.
Top Cast


Teresa Orlowski
Teresa Orlowski
Teresa
Teresa Orlowski
Teresa


Anna Fischer
Anna Fischer
Girl in the Gym
Anna Fischer
Girl in the Gym


Eleonore Melzer
Eleonore Melzer
Blonde Secretary
Eleonore Melzer
Blonde Secretary
Simone Graf
Simone Graf
Solo Sex Show Performer
Simone Graf
Solo Sex Show Performer


Gerlinde Bödeker
Gerlinde Bödeker
Gerlinde Bödeker
Karine Hornel
Karine Hornel
Karine Hornel


Britta Stine
Britta Stine
Britta Stine


Sascha Alexander
Sascha Alexander
Sascha Alexander


Gérard Luig
Gérard Luig
Gérard Luig
Rolf Ernser
Rolf Ernser
Rolf Ernser
Similar Movies

Zé is a very poor man whose most prized possession is his donkey. When his donkey falls terminally ill, Zé makes a promise to Saint Bárbara: If his donkey recovers, he will carry a cross - like Jesus - all the way from his city to Saint Bárbara's church, in the state capital. Upon the recovery of his donkey, Zé leaves on his journey. He makes it to the church, but the priest refuses to accept the cross once he discovers the context of Zé's promise.

Inspired by the life of Rishi Aurobindo, it’s a Bengali classic portraying the life of Sri Aurobindo Ghosh beginning from his return to India in 1892 to his life in Pondicherry in 1910. This film shows a detailed narration of his early life, marriage, interaction with Sister Nivedita, contributions in India’s freedom struggle and activities in Jugantar, Alipore bomb blast case, and the subsequent trial.

War mobilization in 1939: the clumsy Läppli, a loudmouth and busybody, is imprisoned for anti-military speeches. When he is later promoted to officer's orderly, he continues his mischievous behavior. He acts without suspicion, comes across as slightly dim-witted, a silly simpleton, talks nonsense and, in his harmless naivety, repeatedly creates situations that make us laugh at the malice of chance or stubborn militarism. His environment, the officers' staff area, is portrayed with irony, but without malicious scorn.



















