With Saitama no rappa 2 (AKA 8000 Miles 2 – Girls Rapper), Yu Irie tells the story of amateur girl rappers who dream of a small big-time. The film opens with Saitama 1 B-boys, Ikku and Tom coming to town. They run into young Ayoma (Maho Yamada), inspiring her to gather her girlfriends and work up their rap routine.

'Roadside Fugitive' follows Mighty's non-successful story after '8,000 Miles 1,' at the end of which he parts company with Ikku and Tom, members of his hip hop group, 'Sho-Gung,' and leaves for Tokyo. Will Mighty be able to keep faith in the tiny little soul burning somewhere inside him?

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With the help of record label 88rising, we look through the eyes six different artist from six different backgrounds, all within Asia, as they share their thoughts on the recent rise of hip-hop throughout the region.

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One day in the life of Angelos and Ioanna, each dealing with last night's fight.

Bernard, an executive for a big company, tries to get home in time for his wedding but is caught in the middle of a mass suicide. He saves a sect member who then follows him like a puppy, and is chased by the sect leaders, two over-the-top crooks with bloated egos and a craving for money.

About a young painter who arrives at an island made of garbage. He uses the island and its denizens as his canvas and fights to protect the island from forces that threaten it.

Seven men, after getting acquainted in prison and finding out that all of their lives have been affected by the same con man, decide to raid the fraudster's life savings.

The movie tells the life story and friendship of five blacksmiths in town of Leninakan during the war and the years preceding it - as told by the son of one of the blacksmiths.

Houses, now abandoned and empty, are being boarded up in Besence of the Ormányság. "Only-childism" is in fashion, due to the law that provides for the way in which landed properties are inherited. The birth of children that are "not desirable" is being prevented through illegal medical intervention, which is often responsible for the death of pregnant women. The happiness of János and Julis are also the victims of this attitude: their parents would not hear of another child.