Quarreled sisters; Sarah and Wanda inherit property from their mother. It has always belonged to the family. Sarah insists on selling it as soon as possible because she has many difficulties. She goes there with her daughter; Gina. Wanda, on the other hand, wants to keep the property in family. They soon discover that it's not abandoned. Old lady, Lilly Cooper has been living there for many years and doesn't want to leave the house, at least, not as long as she can meet her son.

After leaving a wealthy Belgian family to become a nun, Sister Luke struggles with her devotion to her vows during crisis, disappointment, and World War II.

A man's recently transplanted heart leads him on a frantic search to find the donor's killer before a similar fate befalls him.

In the occupied Netherlands near the end of WWII, a young teenager, Jeroen Boman (Maarten Smit) is sent to the Dutch countryside to avoid the war in Amsterdam. While living with his adopted family, Jeroen meets and becomes friends with a Canadian soldier named Walt Cook, who is stationed at the same town he is staying at. Joroen and Walt spend a lot of time playing around and eventually a romantic relationship develops between them. The boy’s sexual curiosity leads him to have a sexual experience with Walt, an encounter that is shown with some vague detail but without actually showing any nudity, even though sexual intimacy between the two of them is implied. Overall, the movie handles this difficult subject with an elegant style and feeling, without having the adult-child relationship overwhelm the viewer and thus allowing the movie to be seen as just a wartime relationship between two people that marks an important time in a young boy’s life.

Married couple Tom and Julie begin to question the stability of their relationship when an old friend comes to visit... with his latest mistress in tow.

Oleg is a young gifted paramedic. His wife Katya works as a nurse at the hospital emergency department. She loves Oleg, but is fed up with him caring more about patients than her. She tells him she wants a divorce. The new head of Oleg’s EMA department is a cold-hearted manager who’s got new strict rules to implement. Oleg couldn’t care less about the rules – he’s got lives to save; his attitude gets him in trouble with the new boss. The crisis at work coincides with the personal life crisis. Caught up between their patients, alcohol-fueled off-shifts, and an evolving health care system, Oleg and Katya have to find the binding force that will keep them together.

After returning home from the war, Vietnam veteran Julius Vrooder resides in a veteran's hospital, where he has been vaguely diagnosed as "psychiatrically impaired." Taking the news with an air of initially lighthearted defiance, Vrooder escapes and sets up camp under a highway, where he builds a paranoia-driven booby-trapped bunker for himself. Falling in love with not-so-bright nurse Zanni, Vrooder soon plans to elope with her to a remote Canadian outpost.

"Botoks" is intended to be a record of the authentic history of strong, determined and expressive physicians who struggle with life's decisions and problems: discrimination, maternity pressures, the pursuit of youth, the fight for the right to free choice and own views.

A story about director Apichatpong Weerasethakul’s parents who were both doctors, and his memories of growing up in a hospital environment.

Will Montgomery, a U.S. Army Staff Sergeant who has returned home from Iraq, is assigned to the Army’s Casualty Notification service. Montgomery is partnered with Captain Tony Stone, to give notice to the families of fallen soldiers. The Sergeant is drawn to Olivia Pitterson, to whom he has delivered news of her husband’s death.

At Arlington National Cemetery during the Vietnam era, veteran sergeant Clell Hazard trains young soldiers while mourning those lost in combat. Unable to return to war himself, he mentors Jackie Willow—the idealistic son of a fallen comrade—hoping to prepare him for the realities of Vietnam and the cost of duty.

When elderly pensioner Umberto Domenico Ferrari returns to his boarding house from a protest calling for a hike in old-age pensions, his landlady demands her 15,000-lire rent by the end of the month or he and his small dog will be turned out onto the street. Unable to get the money in time, Umberto fakes illness to get sent to a hospital, giving his beloved dog to the landlady's pregnant and abandoned maid for temporary safekeeping.