Biographical drama about one of the most famous Uzbek poets of the 15th century, Alisher Navoiy.

Beautifully shot in black and white, and scripted by Tarkovsky's collaborator Andrei Konchalovsky, this powerful melodrama tells the story of a young boy who undertakes the perilous journey to Uzbekistan's capital Tashkent, to earn some money for his hungry family. Filming in the periphery of the Soviet Union, in a time of relative political relaxation, director Shukhrat Abbasov actually dared to depict the poverty and famine that resulted from the Bolshevik Revolution.

Set in the rural village of White Storks, the story tackles the taboo subject of an extramarital affair. Strong-willed Malika, married but childless, is openly consorting with another man with whom she shares a seemingly tender bond.

Two barbarians in the desert find a stranded white woman and regard her as their property. A strange and exotic parable that presents a tragic three-cornered relationship in a politically incorrect and ironic way.

The plot of the film tells about the events of the war era, where the stories of ordinary people are intertwined. The characters were Stalin, Hitler, Churchill, Hess, Ribbentrop, Molotov and Uzbek heroes. The film shows the role of government leaders in the country's domestic and foreign policy, and how their decisions affected the fate of ordinary people.

A young Japanese woman named Yoko finds her cautious and insular nature tested when she travels to Uzbekistan to shoot the latest episode of her travel variety show.

In Women’s Paradise, a college professor and writer is separated from his wife after committing adultery and discovers a women’s paradise where his lover, a female student, and his wife are living happily together. Could this truly be paradise or just the projection of a male fantasy?

The intertwined lives of several villagers unfold through love, personal struggles, and life's unexpected twists.

A biographical film about one of the greatest Medieval scientists and scholars, Al-Biruni.

In the early morning of September 11, 2001, a Boeing 757 aircraft belonging to Uzbekistan Airways takes off from the Uzbek capital Tashkent. This is the final flight of experienced pilot Zarif Saidazimov prior to retirement. 101-Flight is in transit through London Birmingham International Airport to John F Kennedy International Airport in New York.

Despite the restoration of Soviet power in the area, Basmachis continue to arrive from across the border, bringing death and destruction to peaceful villages. One of the bands of rebels is led by Khairulla who is pitted against the militsiya (local militia) leader Maxumov. At first it seems hopeless for Maxumov as the rebels capture most of his men, winning them over to his side. He has only one strategy left; to give himself up, and try to explain to the people that Khairulla has deceived them, turning the soldiers back to revolution. Later in pursuit of his enemy, he chases Khairulla across a river. He has only one bullet left -- the seventh, and he must not miss his target!

Having gone to Samarkand in search of traces of colonial culture, of which there were quite a few left there, having carefully photographed them, we suddenly discovered that it was not the dead buildings that were much more interesting, but the living carriers of this very colonial culture. The result is a film about people who live on the ruins of an empire.