This was a news film with elements of reenactment. From December 1927 to 1932, 2,000 bus and train drivers were fired, provoking a strike. This film was edited out of footage shot from that strike over a long period.

Born into poverty in Panama, Cirilo McSween’s journey is one of defiance, resilience, and triumph over systemic barriers. Against the backdrop of Jim Crow America, he confronts racism while pursuing the American Dream. From his arrival in the U.S. as an ambitious immigrant to his rise as a trailblazing entrepreneur and civil rights activist, McSween’s life stands as a testament to determination and community. Through tireless advocacy for equality and opportunity, he helped shape both Panama’s identity and Chicago’s civil rights movement. A confidant of Dr. Martin Luther King Jr., a pioneering insurance executive, and a philanthropist empowering underserved communities, McSween’s story bridges nations and generations. CIRILO, A Legacy Untold illuminates a transformative figure whose legacy continues to inspire across the Americas.

A New Yorker journeys to the jungle in the Darien Gap of Panama to reconnect with an indigenous tribe he met and photographed 20 years ago. Their reunion highlights the profound power of photos and the human connection that transcends cultural barriers.

Based on a poem and archive images, the military aggression of the US army stationed in the Canal Zone against the Panamanian people who demand to raise their flag in the territory occupied since the beginning of the 20th century is reconstructed and denounced. The aggression that occurred between January 9 and 11, 1964 left a balance of 21 patriots.

This winner of the 1993 Academy Award for Best Documentary Feature details the case that the 1989 invasion of Panama by the US was motivated not by the need to protect American soldiers, restore democracy or even capture Noriega. It was to force Panama to submit the will of the United States after Noriega had exhausted his usefulness.

“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.

Two friends who worked in the vinyl record shop Panamá Radio remember the post-II World War days when they entered the working scene of the city, the music of the times and all the artists that visited the shop.

Since World War II North Americans have invested much of their newfound wealth in suburbia. It has promised a sense of space, affordability, family life and upward mobility. As the population of suburban sprawl has exploded in the past 50 years Suburbia, and all it promises, has become the American Dream. But as we enter the 21st century, serious questions are beginning to emerge...

The Ashmont-Mattapan High Speed Line operates 2.6 miles of track from Ashmont Station to Mattapan Station just south of Boston. We capture this neat little commuter operation in the state of Massachusetts. They operate with all PCC trolley cars! This operation offers a vital link to commuters to get to Boston easily from the suburbs of Boston! It is a landlocked line that connects with the Red Line at Ashmont Station! Filmed in 2022 & 2023 at 7 of the 8 stations.

"The End of the Line - Rochester's Subway" tells the little-known story of the rail line that operated in a former section of the Erie Canal from 1927 until its abandonment in 1956. Produced in 1994 by filmmakers Fredrick Armstrong and James P. Harte, the forty-five minute documentary recounts the tale of an American city's bumpy ride through the Twentieth Century, from the perspective of a little engine that could, but didn't. The film has since been rereleased (2005) and now contains the main feature with special portions that were added as part of the rereleased version. These include a look at the only surviving subway car from the lines and a Phantom tun through the tunnels in their abandoned state, among others, for a total of 90 minutes of unique and well preserved historical information.

A small community of lovers of freestyle rap begins to grow in the parks and squares of Panama. From rapping on buses to on stage, the love of Hip-Hop abounds in their hearts.

INVASION is a documentary about the collective memory of a country. The invasion of Panama by the U.S in 1989 serves as an excuse to explore how a people remember, transform, and often forget their past in order to re-define their identity and become who they are today.