This is the legendary meeting between a young filmmaker and one of the masters of surrealism: the spanish painter Óscar Domínguez, born in La Laguna, Tenerife, in 1906, died in Paris in 1957. In the "Visite," the artist -admirer of Picasso, rebellious disciple of Breton- is presented in solitude, far from the tumult of the exhibitions and parisian circles. An austere approach, almost “povera”, with no audio, nor flashy camera movements, but rarely attractive. Why Resnais could not finish his movie? Hope one of our experts help us to solve the mystery.

A kaleidoscopic collection of portraits of cat owners in the Netherlands

Ten strangers are summoned to a remote island and while they are waiting for the mysterious host to appear, a recording levels serious accusations at each of the guests. Soon they start being murdered, one by one. As the survivors try to keep their wits, they reach a disturbing conclusion: one of them must be the killer.

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Stuck in a creative rut, filmmaker Gilda Pourjabar returns to Iran, her homeland, to talk with her brother Siamak, an illustrator based in Tehran. This encounter raises questions about their relationship to Western popular art, as they grew up in a culture that the current political regime describes as “westoxicated.” This documentary uses playful animations by Siamak, inspired by Franco-Belgian comics and rock concert posters, superimposed on archival footage of the most recent popular uprisings in Iran to become a logical collaboration for these artists who shared a record collection as children. Together, they examine how art slips through the cracks of repression to light the rebellious sparks in the hearts of young people.

The decision to move to Holland doesn't sound like a wise idea. Why move to a country that could be flooded at any moment? For the last 25 years, the political climate has shifted. The public debate on migration has become harsher, more heated, and polarized. What would have been considered right-wing xenophobia back then, is now considered mainstream. Populists simplify complex realities into good and evil, victims and perpetrators: ‘us’ versus ‘them’. Their rhetoric often consists of dehumanizing words and metaphors. One of these is ‘water’. In reality, water is not an immediate threat to the average Dutch person; but it is a huge threat to the thousands trying to reach the Netherlands. People trying to survive the Mediterranean Sea in rubber boats. Trying to survive winter on the Aegean coast in primitive tents. To them, water really is deadly.

Born in 1873 in a poor neighbourhood in Naples, Enrico Caruso conquered the world with his singing voice. At the age of 27 he got a contract at the Scala in Milan, and his already considerable popularity skyrocketed thanks to the invention of the gramophone. He sold millions of records, and garnered international acclaim. In 1903 he moved to New York to perform at the prestigious Metropolitan Opera, in the role of Radames. But his riches and fame attracted the attention of the Mafia, who started blackmailing him. He felt trapped by his fame and died at just 48 years old. Biographer Francesco Canessa, the music critic Jürgen Kesting and the composer Micha Hamel explain the ups and downs of the man behind the timeless Italian voice.

At the forests of Östergötland, where land meets sea, rests the old castle Herrborum. Here lives count Magnus Stenbock, 92, according to his own ideas about what is appropriate and what is not. Film-maker Helena Nygren is fascinated by the count and the castle, and is allowed to film on the condition that she takes the role of companion lady. Over one year, Helena returns several times to take part of count Magnus Stenbock and his servants life on castle Herrborum in Östergötland. Time stands still on the castle, and in the movie Helena wants to preserve the fairy tale feeling she gets when she steps into these ancient surroundings. The count is a strong personality with strong opinions and a great interest in history. All kinds of people come to his castle to savor the special atmosphere and follow the old fashioned rules of etiquette. Helena transforms from an observer to a lady who participates in the social games on the estate, where everything moves around its own time axis.

Martin Blaszko is considered one of the most important artists of geometric abstraction in Latin America. This documentary, which ends a trilogy, follows the setup of what ended up being his last art show, through only twenty sequences.

Scenes Seen with Allen Jones explores the motive of the artist's famed graphic works,, paintings and sculptures. The erotic overtones of Jones's work are both controversial and exciting, drawing the public's attention towards a new sector of the avant-garde. Jones is introduced in his London studio, where he is developing an idea for a new painting as he meticulously studies his model. During his days as a top member of the Pop Art movement in Britain, Jones evolved a singular genre of imagery: totemic forms of torso-less legs, sheathed in vinyl, which have become his artistic "signature."

Follows Chilean artist Alfredo Jaar as he finds his artistic voice and develops the socially critical perspective of his work.

In this revealing study of Norval Morrisseau, filmed as he works among the lakes and woodlands of his ancestors, we see a remarkable Indigenous artist who emerged from a life of obscurity in the North American bush to become one of Canada's most renowned painters. Morrisseau the man is much like his paintings: vital and passionate, torn between his Ojibway heritage and the influences of the white man's world.