Worried about her husband being allergic to dust, Nat, a recently-dead woman, returns as a ghost possessing a vacuum cleaner to clean the house and protect her family from other vengeful ghosts in the house. To become a useful ghost, she needs to get rid of the useless ones.

An aspiring clown grappling with her gender identity combats a fascistic caped crusader.

It took a hundred queer years for Lola Perla to be finally recognized by a government that never really took notice of the likes of her. But that’s okay, because along with the president’s anti-climactic, and in many ways, almost insincere recognition is a fat envelope containing Php100,000 (USD$2,000). For Perla, this is more than enough money to transcend her idea of a lifetime legacy. Today is the day Lola Perla confronts her long-standing personal covenant: to bail an ex-lover’s son out of jail. Meeting fifty-someting Nanding transforms into a reunion, then, a communion of her present self, with an old love.

A mysterious door in the basement of the Hercules house leads to the Sixth Dimension by way of a gigantic set of intestine. When Frenchy slips through the door, King Fausto falls in love with her. The jealous Queen Doris takes Frenchy prisoner, and it is up to the Hercules family and friend Squeezit Henderson to rescue her.

Set in the Faubourg à mélasse district of Montreal, Quebec, in the 1950s, the film centres on a conflict between the Roman Catholic Church and a young team of baseball players.

A young boy, in his depressive mental state, is obsessively searching for something he calls the "Truth". Desperately looking for answers, he treads through forests and abandoned factories, seemingly with no luck. Everything changes for him when he comes across a certain primordial being known to every human in existence.

In an apartment, a party is in full swing. Sitting on a sofa, Perez is hypnotized by a group of four girls facing him.

A girl trapped in a time loop leaves an AI replica to relive her final days. Glitches and burned-in subtitles reveal the machine’s fractured view, until the loop shifts to the real her — blurring the line between memory, code, and consciousness. "Told from the memory stream of a trapped A.I., the film visually glitches as it attempts to 'escape,' including encoded flashes of an 'ESC' key."

A trans short film that centers trans stories—by and for trans people, both in front of and behind the camera. Elizabeth arrives in the city with fierce eyes, wild hair, sharp nails, and a suitcase full of fragments of past tenderness. She drifts through encounters with men who, like cigarette smoke, warm the body, fade away, and slowly kill. Each takes and leaves something behind. Elizabeth accepts this cycle, knowing that on full-moon nights she must keep away from beaches, forests, and trousered men. The moon awakens the beast within her—sharp-clawed, born to survive, feeding on her pain. She hides it, distancing herself from flesh when it claws at her skin. But one man comes too close, witnessing her under the full moon, seeing her beast, her besta fubana, in her most fragile state.

Loosely based on the classic story of Sleeping Beauty, this irreverent gay fairy tale for modern audiences follows a man named Moses, whose frequent seizures are characterized by the appearance of Glintentica, a spurned Goddess planning her return to earth. Problems arise when Glintentica becomes determined to take over the soul of David, Moses' new love interest.

Energy cannot be created or destroyed. When we die, where does our energy go? Inspired by Vauhini Vara's essay "Ghosts", in which she prompted Al to help her write about her sister's passing, "GHOSTS" takes us on the emotional journey of grief. We see a ghost figure trying to get through to her sister, who is still alive, and let her know she's still around somehow. There are two poems in this piece, one is a poem written by GPT 3, and the next is the director's (Oriana Mejer) response to it. This film uses spoken word poetry, TouchDesigner motion graphics, and is originally scored by French musician Taime.

Welcome to the 1980s TV horrorshow that never was. PHANTASMATAPES is a psychotronic VHS mixtape that reimagines THE REVENGE OF DR. X (a Japan-set creature feature that was written by Ed Wood) and THE BRAIN THAT WOULDN'T DIE (the savage body horror film that inspired FRANKENHOOKER) as a late-nite, home-taped double feature—complete with local TV commercials and a new synthesizer score from Taken by Savages (JUNGLE TRAP). Inspired by hazy memories of channel-surfing at the witching hour, this is a nostalgic and experimental art project from the minds behind Bleeding Skull.