
Lección de arte
Top Cast


Óscar de la Fuente
Óscar de la Fuente
Pablo Picasso
Óscar de la Fuente
Pablo Picasso


Miriam Giovanelli
Miriam Giovanelli
Dora Maar
Miriam Giovanelli
Dora Maar


Alberto Ammann
Alberto Ammann
José Gaos
Alberto Ammann
José Gaos


Carlos Bardem
Carlos Bardem
Josep Renau
Carlos Bardem
Josep Renau


Juan Carlos Vellido
Juan Carlos Vellido
Max Aub
Juan Carlos Vellido
Max Aub


Clara Galle
Clara Galle
Claire
Clara Galle
Claire


Nuno Gallego
Nuno Gallego
Julien
Nuno Gallego
Julien


Álvaro Rico
Álvaro Rico
Friedrich Keller
Álvaro Rico
Friedrich Keller


Pol Hermoso
Pol Hermoso
Teniente Schmidt
Pol Hermoso
Teniente Schmidt
Javier Naya
Javier Naya
Capitán Müller
Javier Naya
Capitán Müller
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After his daughter persuades him to move into a new apartment, aged widower Fred strikes up a friendship with his eccentric 74-year-old neighbour Elsa, who convinces him it's never too late to keep enjoying life. Although he seemed resigned to a miserable bedridden existence, Fred embraces Elsa's youthful enthusiasm as she introduces him to the path of life and entertains him with outlandish stories about her past life. But when he discovers Elsa's terminally ill, Fred decides to accompany her on the trip of her dreams to the eternal city of Rome to help her fulfil a lifelong ambition.

Set in Paris in 1919, biopic centers on the life of late Italian artist Amedeo Modigliani, focusing on his last days as well as his rivalry with Pablo Picasso. Modigliani, a Jew, has fallen in love with Jeanne, a young and beautiful Catholic girl. The couple has an illegitimate child, and Jeanne's bigoted parents send the baby to a faraway convent to be raised by nuns.

The story of a nine-year-old boy Denis, who first enters the circus. The new world captures his imagination. He falls in love with a little actress, an equilibrist — a girl on a ball. After a while, Denis persuades his father to go with him to the circus again. But the performances in Moscow ended, the fairy flew away to another city... Once, being in a museum, he sees a painting by Pablo Picasso "Girl on a Ball". In this picture he recognizes his love — Tanya ...
We are in the midst of production on a one-hour film on seminal art historian John Richardson, and his work on the fourth and final volume of his biography on Picasso. Richardson shares his insights and observations on Picasso, whom he first met in the 1950s, with Shelley Wanger, his editor at Alfred A. Knopf (a division of Random House, Inc.).

Biographer Sir John Richardson and Picasso’s granddaughter, Diana Widmaier Picasso, are the star witnesses in a documentary that reassesses the artist’s output in the years before his death in 1973. The story is of a creative spirit finding new impetus in response to both death’s approach and the censure of contemporaries and critics. Those who were members of Picasso’s private inner circle – gossip about his lifestyle also helped to fire him back up – put the later work forward as some of his frankest, wittiest and most profound.

In 1906, Georges Braque and Pablo Picasso were 24 and 25 years old. The Butte Montmartre is their Parisian sanctuary where artists in need of recognition meet. Braque and Picasso become friends to the point of never leaving each other. For the moment, their paintings do not interest many people; only Apollinaire, then aged 26, and the young gallery owner Daniel-Henry Kahnweiler, 22, saw immense potential in them. And in addition to their passion for painting, these four inseparable boys share the same appetite for modernity. Collages, diversions of materials and geometrization of forms: cubism opened the way to abstraction. A revolution initiated by Picasso and Braque, which profoundly changed the course of the history of modern art.

An imaginary insight into Pablo Picasso's creative mind and painted creatures and characters. We enter in his head and walk with him the intricate maze that was his imagination to find the creatures and stories that populated his psyche and came out when he painted a canvas. His imagination is presented as the myth of the maze and the Minotaur, and some of the characters in the piece are in Picasso's real paintings - his famous dove, the Minotaur, and the ladies of Avignon, among many others.

In 1937 the Nazi regime held two exhibitions in Munich: one to stigmatize “Degenerate Art” (which they systematically looted and destroyed) and one, personally curated by Hitler, to glorify “Classic Art”. This immersive new documentary reveals the Nazi’s complicated relationship with classical and modern art, displaying an incredible number of masterpieces by Botticelli, Klee, Matisse, Monet, Chagall, Renoir and Gauguin amongst others, intertwined with human stories from the most infamous period of the twentieth century. A state-of-the-art detective story exploring the Nazis’ obsession with creative expression, Hitler versus Picasso combines history, art and human drama for an unforgettable cinema experience.













