On the night of their wedding anniversary, a bohemian theatre actress and a beatnik inspired writer confront the strife of their relationship, dreams, and the city they once loved.

A kind-hearted government employee in his forties, who spends most of his time with youngsters, selflessly intervenes in the problems of his near and dear ones.

During the year of the repressive military regime, a Turkish writer gets disillusioned by the loss of a dear friend and retires to his hometown on a remote island where he feels safe from the political turmoil. There he escapes to the world of memories, having imaginary conversations with his dead friend. However, the news of a new murder alerts him to the dangers lying ahead. Shot in Turkey following the years of military regime, Av Zamani carries autobiographical elements as the director Erden Kiral also had to flee the repressive regime of his country to be an exile in Germany. The weakness of the film is that the director is not able to take enough distance from the events to give the story a more universal appeal. Av Zamani was screened at the Montreal World Film Festival 1988.

Soman is brought up by his elder brother Raju and his shrewish wife Janu. Soman is in love with Lakshmi, the daughter of a poor village performer Kaniyan who belongs to a lower caste. Raju, employed by the zamindar and Janu resent the inter-caste marriage between Soman and Lakshmi.

A forest smuggle, lives in the jungle and smuggles sandalwood. He is also involved with other anti-social behaviour and forest controlling activities like robberies, dacoity, murders and drug pedalling. He consequently kidnaps an electrician Rahul and takes him to the jungle, forcing him to teach him how to make explosives. Rahul refuses to help create bombs and is subsequently falsely accused of murder. The rest of the story is about how Rahul proves his innocence to police investigators

An emotionally childish man who never outgrows his childish fascination for flying, dreams of making his own aircraft which is considered foolish by his family and friends.

A lonely woman's prank phone call leads to an unexpected friendship with a grieving widow.

Newspaper Boy is a Malayalam–language Indian film released in 1955. It is the first neo realistic movie in the language. The film, a drama of stark realism, narrates the life of the common man on the street. The film is noteworthy in that the entire production programme from script-writing to direction was controlled and executed by students.

A henpecked housewife ekes out a meager existence, surrounded by a host of colorful characters: her ungrateful husband, her delinquent sons, her headstrong mother-in-law, and her sex worker neighbor, among others.

A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.

Jay Parini finds himself stuck in a Morris Minor, chauffeuring the brilliant, blind Jorge Luis Borges through Scotland. Quiet and conservative, 23-year-old student Parini dreams of becoming a writer but is at a loss to make sense of the wild, irrepressible 70-year-old Borges. As the journey takes a surreal turn, their differences magnify until, in the tradition of a classic road trip, the two ultimately find common ground.

The student politics in a government college has for long revolved around the students' organisation KSQ. Subhash and Paul attempts to change the political scenario by launching a new movement called SFY based on their ideologies.