A portrait of Chinese writer Liu Xiaobo (1955-2017), a witness of the Tiananmen Square massacre (1989), a dissident, a woodpecker who tirelessly pecked the putrid brain of the Communist regime for decades, demanding democracy loudly and fearlessly. Silenced, arrested, convicted, imprisoned, dead. Nobel Peace Prize winner in 2010, alive forever. These are his last words.

Born from war and shaped by conflict, the Lebanese resistance has endured decades of battles, invasions, and geopolitical shifts. This documentary traces its rise, its defining moments, and the sacrifices that kept it standing. But with the region in turmoil and Syria fallen and one question remains—how much longer can the resistance hold its ground?

In the summer of 1961, a group of young Italian anthropologists made a clandestine journey through Spain, in order to record popular songs that supported anti-Franco resistance. As a result of their work, they were prosecuted and their recordings were censored. Sixty years later, and guided by Emilio Jona, aged 92, the last living member of that group of travellers, we recover the unpublished recordings and reconstruct the journey, today, across an emotional and political landscape, regaining historical memories through these songs, as relevant today as they were then.

abel and Antonio are human rights activists. They were awoke by the loud noise of sirens and the roar of thousands of screamings. They picked what they could, between what was the camcorder. They switched it on and started recording what their eyes could not believe: the savage assault and destruction of the largest protest camp ever raised in the Sahara: Gdeim Izik. Tried to contact international press but their satellite phone had been disabled. Antonio and Isabel had to find a way to show these images to the world. It wouldn't be easy. They would have to spend nine days hidden in a safe house during one of the most obscure incidents in the Moroccan history.

In this intimate portrait addressed directly to Hélène Hazera, filmmaker Judith Abitbol revisits a key figure of France’s countercultures from the late 1960s to the 1990s. A member of the Gazolines and the FHAR (Homosexual Front for Revolutionary Action), Hazera was a tireless LGBTQ activist who founded Act Up’s Trans and AIDS commissions—one of her proudest achievements. Her true victory, however, was becoming the first transgender journalist at a major national newspaper (Libération), and later a producer at Radio France and France TV. Through her story, Abitbol reconnects with the insurrectionary spirit and creative chaos of those decades—an era when French culture was shaken by radical imagination, humor, and defiance. The film celebrates these modern Antigones who dared to live their desires beyond the reach of any law.

A poetic short film showing a day in the 2019 protests in Santiago, Chile through documentary images.

Triggered by Russia's invasion of Ukraine in early spring of 2022, Ukrainian journalist and writer Ivan Avramov struggles to navigate his fluid identity and the shifting reality around him.

Augusto and Paulina have been together for 25 years. Eight years ago, he was diagnosed with Alzheimer's disease. Both fear the day he no longer recognizes her.

Amidst the storm of Ferguson, 7 St. Louis college students evolve into advocates and activists as they demand change through policy and protest

Sprout. In the vacant lots against the hammering of buildings always under construction, between walls of granite, cement and sheet metal with rust, moss and cats; on the hillside between the train and the river, next to the traffic on the highway, facing the subway, vegetable gardens sprout. In this city, the choreography of ancient gestures of cultivating the land is repeated day after day, without fail. Sowing, digging, harvesting, watering, eating, talking, resting and returning the next day. The longest day of the year brings S. João and nobody goes to bed, but when the sun rises, the discreet gestures of resistance will restart.

A reckoning of Nazi Germany’s planned execution of its own citizens with physical and mental disabilities whom they deemed useless to their society.

According to the official history of Afghanistan, ruthless destruction has always prevailed over art and creation; but there is another tale to be told, the forgotten account of a diverse and progressive country, seen through the lens of innovative filmmakers, a story that survives thanks to a few brave Afghans, a small but very passionate group that secretly fought to save a huge film archive that was constantly menaced by war and religious fanaticism.